Stan Getz & João Gilberto featuring Antonio Carlos Jobim – Getz/Gilberto (1964/2013) [High Fidelity Pure Audio Blu-Ray Disc]

Stan Getz & João Gilberto featuring Antonio Carlos Jobim – Getz/Gilberto (1964/2013) [High Fidelity Pure Audio Blu-Ray Disc]

LPCM 2.0  and DTS-HD Master Audio 2.0 & Dolby TrueHD 2.0 | 24bit / 96kHz | Time – 00:33:40 minutes | 3,66 GB

Originally released in March of 1964, this legendary collaboration between saxophonist Stan Getz and guitarist Joao Gilbertocame at the end of the bossa nova craze Getz had sparked in 1962 with Jazz Samba. In fact, Getz had to push for the release of Getz/Gilberto as his record company didn’t want to compete with their own hit. The album ended up spending 96 weeks on the charts and won four Grammy Awards. Getz/Gilberto remains one of those rare cases in popular music where commercial success matches the artistic merit.

Blu-ray Pure Audio Discs:

Audio is taken from the original master tapes and mastered in 24-bit/96kHz resolution with a choice of three sound formats: PCM, Dolby True HD, or DTS-HD Master Audio. You can finally enjoy the music in the fidelity originally experienced in the studio.

Stan Getz And Joao Gilberto Getz/Gilberto Track Listing:

1.  The Girl from Ipanema
2.  Doralice
3.  P’ra Muchucar Meu Coracao
4.  Desafinado
5.  Corcovado
6.  So Dance Samba
7.  O Grande Amor
8.  Vivio Sonhando

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Maucha Adnet – Songs I Learned From Jobim (1997) [Japan 2018] SACD ISO + DSF DSD64 + Hi-Res FLAC

Maucha Adnet – Songs I Learned From Jobim (1997) [Japan 2018]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:08 minutes | Front/Rear Covers | 1,52 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 1,38 GB
or FLAC (carefully converted & encoded to tracks) 24bit/48 kHz | Front/Rear Covers | 634 MB

Jobim himself described Adnet’s voice as “deep, rich and mysterious” not just because of the alliteration. Adnet’s beautiful instrument gets the perfect setting from these musicians and arrangements: not only is the estimable Trio da Paz on this recording (Romero Lubambo, Nilson Matta, Duduka Da Fonseca), but there are wonderful performances from trombonist Jay Ashby, flugellers Claudio Roditi and Randy Brecker, and pianist Hugo Fattoruso, whose spare, lyrical style evokes The Man himself. Songs I Learned From Jobim contains a full range of moods, fine musicianship and excellent material. It’s also a must-hear for Jobim completists, since it offers such unexpected and delightful insights into his musical self.

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Resavoir – Resavoir (2023) [Official Digital Download 24bit/44,1kHz]

Resavoir – Resavoir (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 32:46 minutes | 325 MB | Genre: Jazz, Contemporary Jazz, Soul Jazz
Studio Masters, Official Digital Download | Front Cover | © International Anthem

Resavoir – the collaborative project led by Chicago producer/composer Will Miller – presents their second self-titled album. The new ‘Resavoir’ is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.

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Stan Getz – Moments In Time (2016) DSF DSD128

Stan Getz – Moments In Time (2016)
DSF Stereo DSD128, 1 bit/5,6 MHz | Time – 01:04:57 minutes | 5.15 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover | ©  2xHD
Recorded live at Keystone Korner. San Francisco, May 11-16, 1976

Recorded the same week as Getz/Gilberto ’76, Resonance Records’ companion album, 2016’s Moments in Time, captures saxophonist Stan Getz performing live at San Francisco’s Keystone Korner in May 1976. To celebrate the release of Getz’s reunion album with Brazilian singer/guitarist João Gilberto, 1976’s The Best of Two Worlds, the saxophonist booked a week of shows at the Keystone backed by his quartet and featuring Gilberto. Whereas Getz/Gilberto ’76 showcases the Gilberto performances, Moments in Time finds Getz appearing alone with his band, featuring pianist Joanne Brackeen, drummer Billy Hart, and bassist Clint Houston. Despite the wealth and fame he accumulated from his initial 1960s bossa nova albums, Getz remained a creatively restless, forward-thinking artist over the coming years. His band here, arguably one of his best of the period, also bore this forward-looking vision out with performances that straddled the line between lyrical intimacy and aggressive, extroverted improvisation. One can also see where Getz’s taste was at the time based on his song choices, pulling together standards like “Summer Night” with more harmonically layered pieces like Wayne Shorter’s languid and sultry “Infant Eyes” and the funky Kenny Wheeler composition “The Cry of the Wild Goose.” As with Getz/Gilberto ’76, Moments in Time is a thoughtfully curated package featuring not only some of Getz’s best live performances of the period, but also liner notes from producer Zev Feldman, Keystone Korner club owner Todd Barkan, and others, as well as interviews with bandmembers Hart and Brackeen.

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Stan Getz, Charlie Byrd – Jazz Samba (1962/2011) DSF DSD64

Stan Getz, Charlie Byrd – Jazz Samba (1962/2011)
DSD64 (.dsf) 1 bit/2,82 MHz | Time – 00:33:32 minutes | 1,32 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: AcousticSounds | Front Cover | © Verve Music
Recorded: Pierce Hall, All Souls Unitarian Church, Washington D.C., February 13, 1962

Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.

The words “bossa nova” are often synonymous with the name Stan Getz. But North Americans might not have ever known the bright sound of bossa nova had it not been for Charlie Byrd. In 1961 Byrd returned from a tour of South America, where bossa nova music was thriving. The style was the invention of singer Joao Gilberto and songwriter Antonio Carlos Jobim – an adaptation of infectious Brazilian samba rhythms with the harmonic structures and “cool” surface of West Coast jazz. Byrd brought back records for Getz to hear, they planned a session, and the result was Jazz Samba – the first album of true bossa nova music by jazz artists and the one that broke the bossa nova wave in 1960s America.

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Stan Getz – Getz At The Gate – Live at the Village Gate – Nov. 26, 1961 (2019) [Official Digital Download 24bit/192kHz]

Stan Getz – Getz At The Gate – Live at the Village Gate – Nov. 26, 1961 (2019)
FLAC (tracks) 24 bit/192 kHz | Time – 02:19:13 minutes | 5,91 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Verve Reissues

Verve Records have released a live album, recorded on November 26th 1961 at New York’s famous jazz club, Village Gate. On stage are Stan Getz and his new quartet comprising of pianist Steve Kuhn, double bass player John Neves and drummer Roy Haynes. Although the recordings were set aside after that night and had ended up in the record company’s archives, 58 years later, they have now re-emerged with flawless sound. Getz at the Gate understandably arouses much interest as the saxophonist’s artistic direction throughout the entirety of the 2 hours 20-minute concert is one that he did not pursue thereafter.

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Stan Getz – Big Band Bossa Nova (1962/2014) [Official Digital Download 24bit/192kHz]

Stan Getz – Big Band Bossa Nova (1962/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 33:42 minutes | 1,40 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Verve Reissues

Stan Getz almost single-handedly brought the bossa nova sound to the United States and helped create an international craze thanks to a series of albums he made in the early 1960s. On these albums, Getz teamed up with Brazilian bossa nova musicians and composers, masters of the craft like Antonio Carlos Jobim, João Gilberto and Gilberto’s wife, vocalist Astrud who would become world famous thanks to The Girl From Ipanema. This album, the second in the series, predates that song and was unusual for a bossa nova album of the time in that it was entirely instrumental, nonetheless very successful. Conductor Gary McFarland deserves a great deal of the credit for that success due to his magnificent big band arrangements.

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Luiz Henrique – A Bossa Moderna De Luiz Henrique (1964/2023) [Official Digital Download 24bit/96kHz]

Luiz Henrique – A Bossa Moderna De Luiz Henrique (1964/2023)
FLAC (tracks) 24 bit/96 kHz | Time – 29:05 minutes | 524 MB | Genre: Bossa Nova
Studio Masters, Official Digital Download | Front Cover | © RevOla

Luiz Henrique Rosa was born on November 25, 1938, in the city of Tubarão, in the south of the state of Santa Catarina. Firstborn son of the couple Raulino and Alice Rosa, he later gained seven other sisters. As a child, he lived in Lages and São José, where he met his inseparable companion throughout his life: the guitar.

At the age of 11 he came with his family to Florianópolis, a place he adopted from the beginning and honored until the last songs. “It was love at first sight,” he used to say, as the writer, journalist and friend of Luiz Henrique, Raul Caldas Filho, reports. It is said here that Luiz Henrique was the first to call himself “manezinho da Ilha” with pride.

Until then, the denomination given to the natives was considered pejorative. Music, from the beginning, was his main form of expression. But not the only one. Luiz Henrique also had a great vocation for drawing.

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Renata Zeiguer – Picnic in the Dark (2022) [Official Digital Download 24bit/48kHz]

Renata Zeiguer - Picnic in the Dark (2022) [Official Digital Download 24bit/48kHz] Download

Renata Zeiguer – Picnic in the Dark (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 46:27 minutes | 530 MB | Genre: Dream Pop, Indie Pop
Studio Masters, Official Digital Download | Front Cover | © Northern Spy

‘Picnic in the Dark’ is the enchanting new album from Renata Zeiguer, her second full length release for Northern Spy. The album follows Zeiguer through a dreamworld of magical realism as she navigates her memories and seeks to confront inherited dysfunctional patterns head-on. As Zeiguer reconciles her childhood and her adult lives with careful compassion, ‘Picnic in the Dark’ reveals itself as an album not only of transformation, but of healing and self-actualization.
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Melody Gardot – Sunset In The Blue (2020) [Official Digital Download 24bit/96kHz]

Melody Gardot – Sunset In The Blue (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 56:32 minutes | 1,19 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Decca (UMO)

Sunset in the Blue is an orchestral celebration of her jazz roots. She is reunited with the multi-Grammy award winning production team of her platinum-selling album My One and Only Thrill: Producer Larry Klein (Joni Mitchell, Herbie Hancock), arranger and composer Vince Mendoza ((Björk, Robbie Williams, Elvis Costello) and the legendary engineer Al Schmitt (Frank Sinatra, Joao Gilberto, Bob Dylan, Paul McCartney).

An underlying theme of determination to create and evolve her craft has always been present in Melody Gardot’s work but never more so than during the production of Sunset in the Blue, despite all obstacles she has assembled a stunning new body of collaborations in this most challenging of times.

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Luiz Bonfá with Lalo Schifrin & Oscar Castro Neves – Composer of Black Orpheus Plays and Sings Bossa Nova (1963/2014) [Official Digital Download 24bit/192kHz]

Luiz Bonfá with Lalo Schifrin & Oscar Castro Neves – Composer of Black Orpheus Plays and Sings Bossa Nova (1963/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 35:20 minutes | 1,47 GB | Genre: Jazz, Bossa Nova
Studio Masters, Official Digital Download | Front Cover | © Verve Reissues

Brazilian guitarist and composer Luiz Bonfa became world famous for his contributions to the soundtrack of the 1959 film Black Orpheus. He was one of the originators of the bossa nova sound and one of the greatest masters of Brazilian music popular of the 20th century. Even Elvis Presley recorded one of his songs! Luiz Bonfa Plays And Sings Bossa Nova, a classic of the genre from 1962, is notable for its romantic orchestrations by Lalo Schifrin, but there are also stripped down, acoustic numbers that showcase Bonfa’s musical virtuosity and subtlety. Also features fellow bossa nova pioneer Oscar Castro-Neves on guitar and keyboards and vocalist Maria Helena Toledo on several songs.

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Leo Sidran – Cool School (The Music of Michael Franks) (2018) [Official Digital Download 24bit/88,2kHz]

Leo Sidran – Cool School (The Music of Michael Franks) (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 49:48 minutes | 1020 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © WM Spain

In the song “The Cool School,” Michael Franks asks, “Am I dinosaur? Yeah you bet. I grew up listening to Mose and Chet […] me I attended the Cool School.” In a few short lines he describes what many jazz fans today are feeling: he’s an insider, his influences are hip and classic, a member of a small club, the kind of club that is both impossible to join and to which everyone can belong.

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Chico Pinheiro, Romero Lubambo – Two Brothers (2023) [Official Digital Download 24bit/192kHz]

Chico Pinheiro, Romero Lubambo – Two Brothers (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 57:32 minutes | 2,12 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Sunnyside

The art of Brazilian guitar playing has almost become a musical genre unto itself. The gorgeous music written by composers like Antônio Carlos Jobim and João Gilberto echoes differently on six strings. Guitarists Romero Lubambo and Chico Pinheiro have spent their lives absorbing and refracting Brazilian music through the lens of the guitar. On their new recording, Two Brothers, the pair meets for a groundbreaking duo album of their favorite pieces, showing their true mastery of both the Brazilian and Jazz guitar styles.

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Robin Mansanti – Nuit Américaine (2023) [Official Digital Download 24bit/88,2kHz]

Robin Mansanti – Nuit Américaine (2023)
FLAC (tracks) 24 bit/88,2 kHz | Time – 39:17 minutes | 758 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Diggers Factory

Le terme “Nuit américaine” qui nous rappelle de toute évidence la lettre d’amour au cinéma signée en 1973 par François Truffaut, désigne une technique cinématographique permettant de tourner en plein jour des scènes d’extérieur censées se dérouler la nuit. Un procédé qui n’est pas sans évoquer les couleurs et la ligne directrice de cet album.

Lorsque j’ai rencontré Robin Mansanti, j’ai découvert un artiste sensible et déterminé, animé d’un amour de la musique qui ne connaît pas de limite. Il n’a pas fallu longtemps avant que nous évoquions Chet Baker. Il connaît tout à son sujet, les dates, les photos, les films et bien évidemment les enregistrements… Sa passion est touchante, généreuse et communicative.
C’est le musicien, avec le Brésilien João Gilberto, qu’il écoutait gamin et qui fit naître chez lui l’envie de chanter et de devenir trompettiste. Son phrasé, ses solos constituent son alphabet.
Lorsque l’idée de ce premier album est née, jamais il ne fut question d’éluder cette passion, elle est dans l ‘ADN de Robin.

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Harry Connick, Jr. – Every Man Should Know (2013) [Official Digital Download 24bit/96kHz]

Harry Connick, Jr. – Every Man Should Know (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 45:35 minutes | 937 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia

Harry Connick, Jr.’s 2013 studio album Every Man Should Know finds the New Orleans native delving into a handful of original songs that touch upon country, pop, and R&B, with only a few jazz-oriented cuts in the mix. Connick has gone in the original pop direction before with mixed results, on 1994’s R&B-infused She and 1995’s soulful Star Turtle, as well as on the second line funk-centric Smokey Mary, which came out earlier in 2013. While those albums showcased Connick’s long-avowed love of artists like Stevie Wonder and Dr. John, they lacked chemistry, and couldn’t compare to his more swinging, jazz-oriented releases. With Every Man Should Know, Connick attempts yet another foray into the world of the contemporary singer/songwriter, focusing less on funk and more on a gospel and country-inflected sound. On paper, the idea make sense, as Connick’s New Orleans stride, blues, and jazz piano chops appear at first to be a good match for this kind of cross-genre pollination. In some ways, Connick is successful here; tracks like the title song and the bluesy, minor-key “One Fine Thing” are compelling and very Carole King meets Van Morrison-esque, framing Connick’s big croon, sincere lyrics, and deft piano with some urbane orchestral flourishes. Equally effective is the yearning Latin jazz number “I Love Her,” in which Connick lovingly evinces the lush and romantic ’60s bossa nova recordings of Stan Getz and João Gilberto, replete with string and flute backgrounds. However, despite the positive aspects of these songs in particular, Connick is anything but a rootsy singer/songwriter, and while he’s certainly earnest in his endeavors, he still sound awkward and contrived here, and is undeniably at his best when working in a jazz or traditional pop vein. Even when he leans toward the roiling barroom funk of Dr. John, as he does on cuts like “Friend (Goin’ Home)” and the soulful, organ-driven gospel of “You’ve Got It,” he comes off more like an American Idol version of the down-home vibe he’s going for. He fares much better when skewing toward his ’90s jazz approach, as he does on the laid-back “Being Alone” and the New Orleans second line-inspired “S’pposed to Be,” featuring trumpeters Wynton Marsalis and Leroy Jones, respectively. These tracks leap out from the rest with a buoyant, lighthearted energy, and while they don’t completely make up for the subpar nature of the album’s less impressive tracks, they do manage to make Every Man Should Know a record with something for every Connick fan. ~ Matt Collar

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