Alice Cooper – Flush The Fashion (1980) (First US Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Flush The Fashion (1980) (First US Pressing)

vinyl rip in 24/96 | 690 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Rock | Warner Bros. Records ~ BSK-3436

Flush the Fashion is the 12th studio album by Alice Cooper, released in 1980, and produced by Roy Thomas Baker. Musically, the album was a drastic change of style for Cooper, leaning towards a new wave influence. Though the lead single “Clones (We’re All)” only touched the Billboard Top 40, the album was Cooper’s most successful album in three years and is widely considered by fans as a hidden gem in his musical catalogue.
The album’s ten tracks touch on themes such as the loss of identity, taking on other roles, and the usual Alice Cooper-esque dementia. This is evident even in the lyrics of Flush the Fashion’s cover songs (for example the “Clones” single). Cooper also performs several “story” songs, presenting a series of intriguing vignettes in lieu of more traditional subject matter.

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Alice Cooper – Constrictor (1986) (First US Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Constrictor (1986) (First US Pressing)

vinyl rip in 24/96 | 909 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Rock | MCA Records ~ MCA-5761

Constrictor is the 16th studio album by Alice Cooper released on September 22 1986. After retiring from the music industry after the release of DaDa, Cooper remained in seclusion for three years. He starred in Monster Dog, a horror film for which he wrote two songs. He also guest starred on the Twisted Sister track “Be Chrool to Your Scuel”. It was Alice Cooper’s first record to feature bass playing from Kip Winger, who would later gain great fame with his own band, Winger.

Cooper sought the aid of heavy metal guitarist Kane Roberts for the album, which resulted in a sound Cooper had never tapped into before. Constrictor exposed a whole new generation of teens to the original shock rocker, returning him to the charts at number 59 after his previous two releases Zipper Catches Skin and DaDa had entirely failed to crack the Top 200. The album also led to one of the most successful tours of the late ’80s, “The Nightmare Returns” tour.

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Alice Cooper – Raise Your Fist And Yell (1987) (First US Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Raise Your Fist And Yell (1987) (First US Pressing)

vinyl rip in 24/96 | 906 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Rock | MCA Records ~ MCA-42061

Raise Your Fist and Yell is the 17th studio album by Alice Cooper released on September 5th 1987. It features the track “Prince of Darkness”, which is featured very briefly in the John Carpenter film of the same name, in which Cooper has a cameo as a murderous vagrant. The song can be heard on the Walkman of one of his victims. A music video was made for the song “Freedom” which also became the album’s hit single.

The album continues the slasher film trend created by Cooper’s previous album Constrictor. The track “Lock Me Up” features a guest appearance from Robert Englund, who portrayed Freddy Krueger in the A Nightmare On Elm Street series.

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Alice Cooper – Trash (1989) (First US Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Trash (1989) (First US Pressing)

vinyl rip in 24/96 | 0.99 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Rock | Epic Records ~ E-45137

Trash is the 18th studio album released by Alice Cooper in 1989. The album featured “Poison”, Cooper’s first top ten hit since his single “You And Me” in 1977. After Alice’s return to the music industry in 1986 with the successful tour “The Nightmare Returns”, Cooper had sought assistance from Desmond Child to create a comeback album. Trash became one of Cooper’s biggest albums, accompanied by music videos for “Poison”, “Bed of Nails”, “House of Fire”, and “Only My Heart Talkin’”. A successful year-long worldwide concert tour in support of the album was documented in the home video release Alice Cooper Trashes The World. Additionally, much of the album conveys a sexual theme.
The album features many guest performances including Jon Bon Jovi, Stiv Bators, Steven Tyler, Steve Lukather, Guy Mann-Dude, Joe Perry, Richie Sambora, & Michael Anthony as well as singer/guitarist Kane Roberts, who left Cooper’s band in 1988. Songwriting contributions were also made by Joan Jett, Diane Warren, Jon Bon Jovi, and Richie Sambora. Backing vocalist Louis “Louie” Merlino and drummer Bobby Chouinard later played together in Beggars & Thieves. Chouinard died in 1997.

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Alice Cooper – Hey Stoopid (1991) (First US Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Hey Stoopid (1991) (First US Pressing)

vinyl rip in 24/96 | 1.36 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Rock | Epic Records ~ E-46786

Hey Stoopid is the 19th studio album by Alice Cooper. It was released on July 2, 1991 with guest appearances from Slash (then still a member of Guns N’ Roses), Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars (both of Mötley Crüe).
After Cooper’s smash 1989 hit album Trash, Cooper attempted to retain his success with this album. An alternate cover was originally considered, later scrapped – noted by Cooper assistant Brian Renfield as “hardcore with hypo needles, pills…

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Alice Cooper – The Last Temptation (1994) (Holland Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – The Last Temptation (1994) (Holland Pressing)

vinyl rip in 24/96 | 1.21 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | Holland Pressing
Genre: Rock | Epic Records ~ 476594-1

The Last Temptation is the 20th studio album by Alice Cooper, released in July 1994 via Epic Records. It centres around a boy named Steven (also the name of the protagonist in Cooper’s earlier work, Welcome to My Nightmare, Alice Cooper Goes To Hell), and a mysterious showman. The showman, with apparent supernatural abilities, attempted with the use of twisted versions of morality plays to persuade Steven to join his travelling show, “The Theatre Of The Real – The Grand-est Guignol!”, where he would “never grow up”.
The full story was given in a 3-part comic book written by Neil Gaiman, the first part of which accompanied the recording. In the comic, the showman (referred to only ever as such) was depicted as Cooper himself. Pages from the comic are seen in the Lost in America music video, while it is being read by Steven.
It was originally published by Marvel Comics and later reprinted by Dark Horse Comics, collected as trade paperback.

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Alice Cooper – Brutal Planet (2000) (UK 180 Gram Yellow Vinyl Pressing) (24Bit/96 Khz) (Vinyl Rip)

Alice Cooper – Brutal Planet (2000) (UK 180 Gram Yellow Vinyl Pressing)

vinyl rip in 24/96 | 1.16 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | UK 180 Gram Audiophile Pressing
Genre: Rock | Back On Black Records ~ RVC058LP ~ Yellow Vinyl

Brutal Planet is the 21st studio album by Alice Cooper, released in 2000. Lyrically, it’s a concept album that deals with themes of dark “social fiction”, including domestic violence (“Take It Like a Woman”), prejudice (“Blow Me a Kiss”), war (“Pick Up the Bones”) and school shootings (“Wicked Young Man”). The album is the second album in a trilogy of albums (beginning with The Last Temptation and ending with Dragontown).
Musically this is a major change from anything Alice had recorded to this point. The tone of the album is much more of an industrial heavy metal sound than his usual hard rock style. With it’s post-apocalyptic themes, artwork, & sound it has a far heavier feel than Alice’s preceding works. The album lives up to it’s “Brutal Planet” name.

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Alice Cooper – Dragontown (2001) (UK 180 Gram Orange Vinyl Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Dragontown (2001) (UK 180 Gram Orange Vinyl Pressing)

vinyl rip in 24/96 | 1.24 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | UK 180 Gram Audiophile Pressing
Genre: Rock | Back On Black Records ~ RVC059LP ~ Orange Vinyl

Dragontown is the 22nd studio album by Alice Cooper, released in 2001. Like Brutal Planet, the album displays a heavier style than many of his previous releases. The album peaked on Billboard’s “Top Independent Albums” Chart at #12, and the Billboard 200 at #197, his lowest album chart performance to date (other than those that didn’t chart at all).

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Alice Cooper – Along Came A Spider (2008) (German Clear Vinyl Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Along Came A Spider (2008) (German Clear Vinyl Pressing)

vinyl rip in 24/96 | 1.04 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | German Audiophile Pressing
Genre: Rock | Steamhammer Records ~ SPV 90601 ~ Clear Vinyl

Along Came a Spider is Alice Cooper’s 25th studio album, released in July 2008 by Steamhammer/SPV. It was Cooper’s highest-charting album in the US since Hey Stoopid in 1991. The storyline for the album was first revealed on Cooper’s radio show Nights with Alice Cooper. The theme of the album revolves around a “cool, calm and collected” serial killer known as Spider. The police are baffled by the bodies of Spider’s victims, which are cocooned in a silk web, and are each missing a leg. Spider’s task is to collect eight legs in order to complete the construction of his own spider. However, things get complicated when he falls in love with his eighth victim.

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Alice Cooper – Dirty Diamonds (2005) (UK 180 Gram Red Vinyl Pressing) (24Bit/96Khz) (Vinyl Rip)

Alice Cooper – Dirty Diamonds (2005)  (UK 180 Gram Red Vinyl Pressing)

vinyl rip in 24/96 | 1.09 GB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | UK 180 Gram Audiophile Pressing
Genre: Rock | Back On Black Records ~ RVC060LP ~ Red Vinyl

Dirty Diamonds is the 24th studio album by Alice Cooper, released on July 4, 2005 internationally, and August 2 in the US. The album peaked on Billboard’s “Top Independent Albums” chart at #17, and the Billboard 200 album chart at #169 – Cooper’s highest charting album since The Last Temptation, 11 years prior.
The vinyl release includes the bonus track “Stand”.

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