Studio Masters

Hiromi Iwasaki – Diamant (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 45:36 minutes | 948 MB | Genre: Pop, Funk, Synth-pop, Leftfield
Studio Masters, Official Digital Download | Front Cover | © Victor

The 15th original album, which will be the first release after management independence. Includes “Decision” and “Dream Hunter (Version II)”, which were hit as Camellia Diamond CM songs. Original released on June 6.5, 1985

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Hiromi Iwasaki – WA GA MA MA (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 38:39 minutes | 768 MB | Genre: Pop, Funk, Soul, City Pop
Studio Masters, Official Digital Download | Front Cover | © Victor

A cappella version of the debut single “Small Journey” and “I can’t help but love” with the catchphrase that echoes to heaven.

The 17th original album including the popular song “Himegokoro”. Original released on July 21, 1986.

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Hiromi Iwasaki – Cinema (1986/2016)
FLAC (tracks) 24 bit/96 kHz | Time – 46:26 minutes | 952 MB | Genre: Pop, Funk, Ballad, Soul, City Pop, Synth-pop
Studio Masters, Official Digital Download | Front Cover | © Victor

With the catchphrase that echoes to the heavens, all the original albums of the popular singer Victor era, who debuted and celebrated the 40th anniversary of their debut, are delivered in high resolution. Her 16th original album. Includes the single “Moonlight” composed by Toshinobu Kubota before his debut. Original released on November 21, 1985.

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Hiromi Iwasaki – COLEZO! (2005/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:55 minutes | 1,32 GB | Genre: Pop, Funk, Ballad, Soul, City Pop, Synth-pop
Studio Masters, Official Digital Download | Front Cover | © Victor

A compilation of works from “Duet” released in April 1975 to “Life” released in July 1993. Recording: Victor Studio and others. Engineer: Tatsuo Umezu High resolution by K2HD processing from CD archive master. It was I feel that what is required of recordings in 1970s-1980s idol works was the starting point where the sensibility and technical skills of engineers were questioned as to how to express the arrangement as sound. It was an era that was directly linked to the “hit” of selling works through sound expression (sound design), and I remember going into the recording site while feeling pressured and nervous as an engineer.

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