King Sunny Adé And His African Beats – Juju Music (1982) (24-Bit/96Khz + 16-Bit/44.1Khz) (Vinyl Rip)
King Sunny Adé And His African Beats – Juju Music – 1982
Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 880 MB + 240 MB
1982 / Genre: International – Afro-Pop – Juju / Island Records – DE
Juju Music is the 1982 major label debut of Nigerian Jùjú band King Sunny Adé and His African Beats. It represented the first worldwide release for Adé, who was already established in his native Nigeria as its “biggest musical draw and Juju music’s reigning monarch”. The album was a critical and commercial success, peaking at 111 on Billboard’s “Pop Albums” chart. The New York Times, which described the album in 1982 as “the year’s freshest dance-music album”, credited it in 1990 with having launched the “World Beat movement in the United States” “This is a sparkling and happy album; the music is uplifting, hypnotic and relaxing; especially track 4,5,6,7 are for me the real (audiophile) highlights; but listen for yourself; Enjoy!”
Note > No silence was deleted; please burn this album gapless..
Read more
Jon Anderson – 3 Ships – 1985
Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 866 MB + 255 MB
1985 / Genre: Pop-Rock-Christmas / Elektra-Asylum Records – USA
3 Ships is the fourth solo album by Yes lead singer Jon Anderson, released in 1985. It is a Christmas album, including versions of traditional Christmas carols and original material by Yes lead singer Jon Anderson. “Jon Anderson is a sympathetic and great artist and a warrior for sharing more peace and love with his songs”. “If you can appreciate this attitude, this Christmas album will surely touch you, especially if you have young children”. Have a Merry Christmas and a Happy New-Year!
Note > there are gapless tracks; gapless burning is essential to hear the album without interruptions
Read more
Horslips – Happy To Meet… Sorry To Part
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 1gb – 16bit/44kHz: 314mb
Genre: Progressive-Folk | Label: Atco Records / SD 7030 | Octagon Gatefold / First US Pressing: 1973
Long ago I had the pleasure to share an album of irish progressive-folk group called “Mushroom”, an emerald from the legendary “Emerald Isle”. It must be said that Ireland is a great nation, and the proof is that music engineering that dazzles every time one discovers (note how I worship that country).
Today I will teach another progressive-folk group, also from Ireland: “Horslips”, their first album “Happy To Meet … Sorry To Part”. From a conceptual beauty rarely seen, both in visual and in hearing. Yes, because the cover is octagonal, with inside pages, with very good photographs and letters (can appreciate this magnificent work). The music is another story … the word exquisite, not describe me at all. For those who know the irish folk closely, we realize many known pieces of celtic traditions. Good folk-rock arrangements, acoustic and electric, perfectly balanced.
Inspirational music.
Henri Tachan – Vol. 2
Vinyl | CUE | FLAC | Tags | Full LP Cover (1:1) | 24bit/96kHz: 767mb
Genre: Chanson | Label: Barclay 80 507 | Release: 1976
Henri Tachan spends his Catholic boarding school in Notre Dame de Bury, then in a high school in Paris. Then he joined a hotel school in Thonon-les-Bains and becomes the server at the Ritz in Paris.
In 1962, he moved to Quebec. After his work as a waiter, he began to recite poems “At Clairette” (Claire Oddera), at 1124 rue de la Montagne in Montreal. Passage, Jacques Brel encouraged to engage in the song.
Back in France, he released his first album in 1965 Barclay who won the Grand Prix de l’Académie Charles Cros disk. At the same time, he made the curtain of Juliette Greco at the Olympia.
In 1968 he made the first part of Isabelle Aubret and Félix Leclerc to Bobino, then that of Pierre Perret in 1970, and Georges Brassens in 1972, always in the same room. Meanwhile, he represented France at Sopot Festival in 1969 with the song The usual table, and finished 2nd. In 1974, he sang the “Marais Pizza” for its opening.
In 1975, he spent two weeks at the City Theatre and a night at the Olympia headlining. Then, in 1978, it remains at the Olympia.
In 1999, he spent six weeks at the Théâtre de Dix Heures Paris.
wikipedia.org (more…)
Read more
Henri Tachan – Henri Tachan
Vinyl | CUE | FLAC | Tags | Full LP Cover (1:1) | 24bit/96kHz: 832mb
Genre: Chanson | Label: Barclay 80 283 | Release: 1965
Henri Tachan in his first work, especially for those who like traditional french singers Charles Aznavour, Gilbert Bécaud or belgian Salvatore Adamo. For me it was a pleasant revelation, I think those who have listened to the singers mentioned should feel really pleased.
Read more
Ekseption – Trinity – 1973
Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 874 MB + 244 MB
1973 / Genre: Symphonic Rock / Philips – NL
Ekseption’s 6th album included some personnel-changes as both Dick Remelink and Peter de Leeuwe were changed by Jan Vennik and Pieter Voogt. But these changes didn’t affect the band’s musical inspiration and artistic quality as “Trinity” proved to be another of their best albums. “One of my last favorites of Ekseption, almost forty years after the release, you can hear it by this fantastic Philips recording on vinyl. Listen to the outstanding “Toccata” on Youtube; Enjoy!”
Note > No silence was deleted; please burn this album gapless..
Read more
Ekseption – Beggar Julia’s Time Trip – 1970
Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 704 MB + 197 MB
1970 / Genre: Symphonic-Rock / Philips – NL
Beggar Julia’s Timetrip is based on a story of a man who travels through time in a spaceship and observes the great composers at work. Thus, the story is of course a perfect setting for introducing some rock/jazz versions of Albinoni’s Adagio, Bach’s Italian Concerto and Tchaikovsky’s piano concerto garnished with some Beethoven. “Enjoy this beautiful Ekseption album and great Philips recording (42 years old)”.
Note > This concept album has no gaps between tracks; gapless burning is -essential- to hear the album without interruptions.
Read more
Crosby, Stills, Nash & Young – Déjà Vu
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 806mb – 16bit/44kHz: 234mb
Genre: Country-Rock | Label: Atlantic / SD 19118 | Original Release: 1970 | This Issue: 1977
The second LP “CSN & Y” is this “Déjà Vu”, a key album that marked a generation of bands of country-rock genre in their country of origin, U.S.
This is the only album of his early career (the best, in my opinion), they are all four together, coupled with the legendary live record “4 way street”.
And, in all honesty, “CSN & Y” are far from being a folk-rock band, sometimes unclassifiable … pop? Progressive? fusion? all, for me this is a transcendent album breaker schemes, its members very young, but consolidated racing beforehand.
I could write pages and pages, about the genius of each personality of each member on this record.
I think it is best to listen to them, no doubt.
Appaloosa - Appaloosa (Featuring Al Kooper)
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 927mb – 16bit/44kHz: 265mb
Genre: Psychedelic-Folk | Label: Columbia / CS 9819 | Original First US Pressing: 1969
From the Boston folk scene, emerged John Parker Compton’s band of Appaloosa, from which would also come Earth Opera (and its continuity Sea Train) and James Taylor. JPC (vocals & ac guitars) had formed an experimental duo with David Batteau and his cello that played a few gigs around Boston and Cambridge as they were still teenagers. The duo evolved with David’s brother Robin taking over with his violin, before expanding to a quartet with the arrival of Eugene Rosov (cello) and David Reiser (electric bass) and opened for Tim Harding and played every Sunday afternoon at the Cambridge Common Music Concerts. Rosov and Batteau were Harvard students, while Reiser sat in with prominent jazzmen in Boston clubs.
The group popped down to NY to get an audition with the legendary Al Kooper, playing directly in his office and getting instantly a recording deal. The prominent Kooper (producer and musician with The Blues Project, Blood Sweat & Tears, Bloomfield and by then a solo artiste as well and too many sessions to list) was to produce their sole album.
This album was labelled as folk baroque (as was popular at the time), a term also applying to Donovan, Gordon Lightfoot, Tom Rush, Nick Drake, Bobbie Gentry, Tim Buckley, Phil Ochs, the Bee Gees, and Tim Hardin, and meant folk mixed with classical/symphonic music. Sadly the album got almost no notice, staying four weeks in the US billboard, peaking at 128, as these folk baroque albums were flooding the airwaves at the time. It would be Appaloosa’s only album, the band splitting up when Compton, Batteau, and some friends drove out to California. John and Robin worked as a duo on Columbia for the Compton & Batteau in California album, with John doing his first solo album shortly afterward. To this day JPC is still active in the folk circles and reformed the group in 05, but nothing yet has come out of that.
progarchives.com
Ancient Future – Quiet Fire (Narada Series)
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 944mb – 16bit/44kHz: 256mb
Genre: New-Age | Label: Narada/N-61012 | US Pressing: 1986
When burst Windham Hill label in the music industry, soon imitate his idea by another labels (good and bad): mostly acoustic music, away from the horrible sound of disco-music (that with programmed drums, high-pitched ugly voices and noisy, absolutely massive consumption). From these stamps that followed, the most prominent are Narada and Private Music. I have excellent pressings from Narada, one of them is this “Quiet Fire” by Ancient Future. Anecdotally Windham Hill label musicians appear in this LP.
Read more
Alex De Grassi – Southern Exposure (Windham Hill Series)
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 757mb – 16bit/44kHz: 197mb
Genre: Acoustic-Fusion | Label: Windham Hill Records / AMWH 61030 – A&M Records / AMWH 61030 | Dutch Pressing: 1983
During my forays into Old Europe, Spain (to be precise), I spent time in record stores go in the “Ramblas from Barcelona”, also in the narrow streets of the medieval city (wonderful, admittedly). I remember it was during the summer of 85, I became record-storage such a good collection of LPs of Pat Metheny, Windham Hill label and many other things that I have shared. Today I share one of my favorite acoustic guitarists that label (WH): Alex De Grassi, an extraordinary technique.
Some describe his music style “impressionist”, I am not much given to label because. But yes, I can say that his style is more oriented to the fusion and a bit jazz. Anyway, is not the most important, and I think that is modestly one of the stars of Windham Hill.
Tony Banks – A Curious Feeling – 1979
Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 1,11 GB + 331 MB
1979 / Genre: Prog-Rock / Polydor – CA
Genesis keyboardist Tony Banks has made several stabs at a solo career since 1978, writing and recording in various styles and occasionally under different group names. However, none of his attempts have been very commercially successful, a sore point for the man many deem responsible for a large portion of the Genesis sound. For many observers, Banks is one of the more undeservedly underrated keyboard players in progressive rock — while flashier figures such as Keith Emerson and Rick Wakeman, with their extroverted personalities, long ago gathered the press coverage needed to earn the admiration of starstruck listeners from the 1970s (and enjoy instant name recognition even 30 years later). Banks’ work was so subsumed into the output of Genesis for so long that he never quite achieved the profile of his slightly older rivals, despite playing an essential role in shaping the sound of his group, which, along with Yes, was one of the two most successful prog rock bands of the 1970s. “Enjoy this beautiful atmospheric album with impressive vocals of the relative unkwown Kim Beacon”.
Note > No silence was deleted; please burn this album gapless..
Read more
Shakti – Shakti With John McLaughlin
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 1.14gb – 16bit/44kHz: 332mb
Genre: Acoustic-Fusion | Label: Columbia / KC 34162 | First US Pressing | Release: 1976
Believe me, I am not joking when I saw awesome, because it really is. Think about one suberp guitarist , who again show us what he can do with that strings and that fingers, and a superb violin, a superb tabla, so after all it could be a super band no?
I really like John Mclaughlin, I think he is one of the best guitarist ever, so the fact of Mclaughlin here, is one extra point, in this music, you will remind some Mahavishnu Orchestra ( but forgot electric guitars and focus on acoustic), because of the excellent musicianship, and because some passages are very fast, guitar – violin oriented, with tabla and a very particular south indian percussion instrument called mridangam making Raga music, indian music, which could sound a bit rock.
It is a live album which consist in 3 tracks, 2 “epics” and one mid tempo and slow second track. “Joy” is the first track, an 18 minute song showing us how great are the musicians, fast fingers, fast music, all instruments gathered together, and tehy don’t let you go, it is a bit repetitive, but you can’t leave it, you can’t get tired of it, it is awesome because it`s a concert, so that lucky people could appreciate the complexity of the sound, it is full of scales, but you can listen how fine can play the musicians, 18 minutes of an indian trip, which you will enjoy.
“Lotus Feet”, is the shortest song, and is the slowest of them all, i mean, it is not a fast song, it is beautiful and show us the quality of the music, with a more reserved sound, violin is precious, and percussion background beautiful, after this, prepare yourself for the last song.
“What Need Have I for This – What Need Have I for That – I Am Dancing at the Feet of My Lord – All Is Bliss – All Is Bliss “, what a name no?, the name is so long, and the song is longer I think, the best way to end this album is this almost 30 minutes masterpiece, which is full of joy and a ridicoulous (in the good sense of the word) musicianship, is simply awesome, it can’t be 30 minutes of the same way, so you can imagine some changes, I use to listen to this with eyes closed , letting my mind reveiving it, and it is really a pleasure, a can’t say another word, it is simply beautiful, guitar in one hand, violin in other, suddenly both in one hand, it is a tremendous track, I’d love to see something similar until die, I have no words to describe the feeling when I’m listening to it, in fact I don’t open my mouth, only my ears and mind.
After all, Raga – Prog Indo -Prog is my less familiarized genre, but when I listen to this, I have the will to get more of this, not sure if the name of masterpiece of progressive rock is the best for this album, but it clearlydeserves 5 stars, and of course, I highly recommend it to all of you, maybe it is not everybody’s cup of tea, but if you like it the first time, you will love you ever.
5 Stars !
progarchives.com
Read more
Ofra Haza – Galbi
Vinyl | CUE | FLAC | Tags | Full LP Cover (1:1) | 24bit/96kHz: 396mb
Genre: Synth-Pop | Label: Globe Style / NST 117- 12″ 45 RPM | Release: 1986
Ofra Haza ( born Bat-Sheva Ofra Haza; 19 November 1957 – 23 February 2000) was an Israeli singer of Yemenite Jewish origin, an actress and international recording artist.
Her voice has been described as mezzo-soprano, of near-flawless tonal quality, capable of lending itself to a variety of musical styles with apparent ease. Inspired by a love of her Yemenite and Hebrew culture, the appeal of her music quickly spread to a wider Middle Eastern audience, somehow bridging the divide between Israel and the Arab countries. As her career progressed, Haza was able to switch between traditional and more commercial singing styles without jeopardizing her credibility. Her music fused elements of Eastern and Western instrumentation, orchestration and dance-beat. She became successful in Europe and the Americas; during her singing career, she earned many platinum and gold discs.
wikipedia.org
Read more
David Sylvian – Secrets Of The Beehive (1987)
Vinyl Rip in 24 Bit-96 kHz | FLAC | Cue | No Log | Scans | 744 MB
1987 / Genre: Art-Rock / Virgin – UK
Secrets of the Beehive is the fourth solo album by British singer-songwriter David Sylvian and was released in 1987. Produced by Steve Nye and David Sylvian, the album features Ryuichi Sakamoto, David Torn, Mark Isham and Steve Jansen among others. “Enjoy this beautiful melancholy album with the brilliant vocals of David Sylvian; a perfect album to listen in the late evening.”
Read more