Keith Jarrett – My Song (1978/2015) [Official Digital Download 24bit/192kHz]
Keith Jarrett – My Song (1978/2015)
FLAC (tracks) 24 bit/192kHz | Time – 00:48:46 minutes | 1,6 GB | Genre: Jazz
Official Digital Download – Source: highresaudio.com | © ECM Records GmbH
Recorded: October 31 & November 1, 1977 at Talent Studio, Oslo
Throughout the ’70s Keith Jarrett maintained two contrasting ensembles, one American based, the other Scandinavian. This is an album by the latter quartet, which had previously recorded the warm and winning BELONGING in 1974.
1978’s „My Song“ is aptly titled, as the six Jarrett compositions do indeed have the individual characteristics and bearing of songs. Infused with elements of folk and gospel, the music has a friendly resonance that aligns it with the likes of Horace Silver. While not as overtly soulful as Silver, the quartet’s interpretations celebrate the power of melody and harmony. Garbarek’s crystalline tone in particular flies through the rhythmic architecture like a bird over a winter landscape.
In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-’70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting “My Song,” this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension. –Scott Yanow, AllMusic
From the moment we step into the transport of Keith Jarrett’s European quartet, we know we are in for a comforting ride filled with lush scenery and temperate climes. “Questar” opens this set of six Jarrett originals by unfolding a melodic altar for the saxophonic offerings of Jan Garbarek, who trades prime invocations with Jarrett in a formula that pervades the rest of the album to great success. The gorgeous title track, in which we encounter a slightly mournful but always majestic invocation, widens the music’s embrace. Garbarek’s pleasing yet incisive tone works wonders and continues to lead the way in “Tabarka,” where nostalgia shares its berth with the dripping shadows of resolution, and which protects the Michael Naura-like buoyancy of “Country” like a dome over Palle Danielsson’s wonderful solo on bass.
Jarrett cultivates the talents of his fellow musicians in a garden rife with unique hybrids. While his left hand is firmly rooted in the soil of his rhythm section, his right seems to frolic in the rain that nourishes it, changing from liquid to gas and back to liquid in a perpetual cycle of self-renewal. He comes across as nothing less than perfection, sharing in this democratic spread of passion. The colorful scatterings of his solo in “Mandala,” for example, are made all the more so for the fantastic rhythm section backing him every step of the way. As Jarrett peaks with intensity, Garbarek arches his back like a sun flare, a whip cracking silently through time-space in slow motion, giving us an aftertaste of the Norwegian reedman at his early best. During another rich bass solo, Jarrett plucks the strings inside his piano as if to defuse the epiphany. After this palpable spurt of energy, “The Journey Home” breathes a sigh of relief and provides the album’s most gorgeous turns from Jarrett. Fluid as his song, his voice basks in the sunshine. Not to be outdone, Garbarek matches this elegiac acuity, at last fading into brushed cymbals.
The music of Keith Jarrett was already highly sustainable long before the concept became an obligatory buzzword. With My Song he brings that personal ecology in fullest force. Garbarek hardly sounds better than he does alongside the discerning piano man, and is here soulful, restrained, consolatory but also insistent, and never afraid to let loose once in a while. These are musicians bound by trust, which they express with every pellucid turn of phrase they utter on an album that represents one of ECM’s most stunning dates of the seventies. –ecmreviews.com
1. Questar 09:18
2. My Song 06:14
3. Tabarka 09:15
4. Country 05:04
5. Mandala 08:20
6. The Journey Home 10:35
Keith Jarrett, piano
Jan Garbarek, tenor saxophone, soprano saxophone
Palle Danielsson, bass
Jon Christensen, drums