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The Cory Band – Britpop Brass (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 43:01 minutes | 793 MB | Genre: Classical, Britpop
Studio Masters, Official Digital Download | Front Cover | © Decca (UMO) (Classics)
An album of classic hits performed by the world’s No.1 Brass Band to celebrate the 25th Anniversary of Britpop.
External PR to be carried out by Phill Savage, who coined the term ‘Britpop’.
Decca own the brand ‘Britpop’.
Britpop gigs lined up for summer festivals.
The album features The Cory Band – the World’s No.1 Brass Band. They made history in 2016 by winning the ultimate Grand Slam of titles which were: European Champions 2016, British Open Champions 2016, National Champions of Great Britain 2016, Brass in Concert Champions 2016. This has never been achieved by any other Brass Band in history.
The Corrs – Jupiter Calling (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 55:23 minutes | 1,12 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © East West Records
The follow-up to 2015’s White Light, which saw the Irish siblings returning to the recording studio after a ten-year absence, Jupiter Calling dials back on the polished folk-pop of its predecessor in favor of a more stripped-down and organic approach, courtesy of producer T-Bone Burnett. Recorded to two-inch tape mostly live, and with minimal overdubs at RAK Studios in London, the 13-track set was described by Caroline Corr as “the most freeing experience we’ve ever had in the studio.” It’s definitely the warmest-sounding Corrs outing to date, and the austere studio setup lends itself to the band’s penchant for pairing pop acumen with Irish balladry, which they do with great aplomb on heartfelt cuts like “Son of Solomon,” “Dear Life,” and “Live Before I Die.” The more architecturally intricate tracks — like the breezy “Bulletproof Love,” ambrosial “Season of Our Love,” and politically charged “SOS” (Song of Syria) — impress as well, with their rich sonic patina and compelling vocal performances that, more often than not, notch the groove between stoic and vulnerable.
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The Coronas – Trust The Wire (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 36:20 minutes | 768 MB | Genre: Indie Rock
Studio Masters, Official Digital Download | Front Cover | © So Far So Good
The Coronas have, slowly and steadily, become one of the biggest and most recognizable bands in Ireland. The Dublin indie-rockers will follow up 2014’s ‘The Long Way’ with “Trust the Wire”, their fifth album to date.
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The Coronas – True Love Waits (Deluxe) (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:01 minutes | 1,33 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © So Far So Good
Irish rock outfit the Coronas became a prominent force on the Dublin live circuit with their blend of contemporary indie rock. Debuting in 2007 with Heroes or Ghosts, their anthemic sound spread throughout their albums, including 2020’s True Love Waits. Formed in Dublin, Ireland in 2003 by Danny O’Reilly (vocals, guitar), Graham Knox (bass), and Conor Egan (drums) after they met at college, the trio originally went by the name Kiros before adopting, Corona.
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The Cookers – Time and Time Again (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:01:52 minutes | 720 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Motema
For their fourth release, a true Jazz supergroup, The Cookers, have swapped out saxophonist Craig Handy for Donald Harrison, raising the median age of the septet to just under 70. All of that longevity doesn’t mean complacency, however: The 69-year-old pianist George Cables, septuagenarians Eddie Henderson (trumpet), Billy Harper (tenor saxophone), Cecil McBee (bass) and Billy Hart (drums) and the Cookers’ two youngsters, Harrison (54) and trumpeter David Weiss (49) may bring well-defined personal styles to this ongoing project, but there’s nothing retro about them. The Cookers cook, all right, and if anything they’ve become even more assured, skillful and single-minded with each new offering.
Following their critically acclaimed album BELIEVE, The Cookers’ “Time and Time Again” once again reveals this jazz super-group’s consistently profound compositional and improvisational mastery. The sheer power of their mid 60s post-bop spirit, placed in a contemporary setting, continues to thrive and grow in their 7th year as an international act, embarking on their busiest tour season to date.
Read moreThe Cookers – The Call of the Wild and Peaceful Heart (2016) [Official Digital Download 24bit/96kHz]
The Cookers – The Call of the Wild and Peaceful Heart (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:08 minutes | 1,43 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Smoke Sessions
The Cookers are a young group of oldsters, seven esteemed jazz veterans of some 60s and 70s years of age whose experience and ongoing creativity now offer their latest development. Often a gathering of jazz greats produces nice, somewhat nostalgic but not distinctive recordings; this one is different. These artists are true colleagues who worked with each in other ensembles, and while leaders of their own bands, they can mesh into the composition. Two trumpets, Eddie Henderson and David Weiss, are joined with two saxophones, Donald Harrison on alto and Billy Harper on tenor. Bass, piano, and drums are the forte respectively of George Cables, Cecil McGee, and Billy Hart. All of the tracks are originals, three by Harper, two each by Hart and Cables, and one by McBee. The happy result is pleasurable listening to a great collaboration of postbop, with David Weiss serving as arranger-diplomat-organizer and Billy Harper arranger on three tracks. The extended tracks cover 74 minutes of melody, beat, and horn harmony.
Read more![Steve Pinet - Introspection (2023) [24Bit-44.1kHz] FLAC [PMEDIA] ⭐️ Download](https://i0.wp.com/imageurl.xyz/images/2023/10/26/StevePinetIntrospection202324Bit44.1kHzFLACPMEDIA.jpg?resize=500%2C500&ssl=1)
The Connection – Let It Rock (2013)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:28 minutes | 461 MB | Genre: Garage Rock, Power Pop
Studio Masters, Official Digital Download | Front Cover | © Collectors Club Records – King Yum
The Connection have found solid footing on “Let It Rock” compared to their earlier 7 inch releases. This outing finds them with a much fuller sound and less amateurish production. “Let It Rock” sounds like it was thought up and recorded in the 60’s. That’s a good thing because this is the kind of record you wanna play from beginning to end, cuddling next to a fire place. There’s plenty of warm, analog goodness for any audiophile out there to appreciate.
Speaking of ‘beginning to end” that’s another unique quality of “Let It Rock”, it’s solid from start to finish. Quite honestly, that’s a really hard thing for any album to accomplish nowadays.
This four-piece have been voted in having the “Coolest Song in the World” a whopping four times in one year by Bruce Springsteen guitarist and Sopranos fan favorite – Steve Van Zandt. I can pretty much end this review because when E-Street legend Zandt says your band- “Gets it”, there’s just very little for me to say.
– Review taken from www.tuffgnarl.com, A Community of Writers Covering Pop Culture’s Hidden Gems.
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Family Worship Center – Kicked Out Of The Garden (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:41 minutes | 490 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Corporat Records
Family Worship Center is a Portland, Oregon-based Southern rock ‘n’ soul collective*, founded in 2017 by singer/songwriter/keyboardist Andy Krissberg. Following their 2020 Sunday A.M. EP, they just released their debut full-length Kicked Out of the Garden, and it’s everything you hope it would be. You get eight 70s-styled, more-ish sweat-drenched floor fillers, which never sound outdated but always authentic. A delicious treat: a big sound, sumptuous piano melodies, raving horns, celestial harmonies, sometimes with guitars being let loose but at other moments with a gospel feel, everything. Epic.
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Alessandro Deljavan – Satie: Poems & Cabaret Music (2023)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:04:50 minutes | 988 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © OnClassical
Italian pianist Alessandro Deljavan has been astonishing audiences for more than two decades. Acknowledgements began at the age of nine when he won the prestigious Concours musical de France (1st Prize, Paris, 1996). He is embraced for his remarkable prowess and emotional intensity by audiences and colleagues alike.
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Maurizio Zaccaria – Beethoven: Symphonies Nos. 6 & 7 (Arr. for Piano 4 Hands) (2023)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:09:49 minutes | 969 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © OnClassical
After a diploma in piano at “Niccola Piccinni” Conservatory of Music in Bari under the guidance of Gregorio Goffredo and a master at “Nino Rota” Conservatory of Music in Monopoli under the guidance of Benedetto Lupo, he attended the masterclasses of Marisa Somma, Cristian Zaccarias, Joaquin Achucarro, Francois J. Thiollier, Konstantin Bogino et Aldo Ciccolini.
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The Bug – Blue Versions (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 44:25 minutes | 478 MB | Genre: Experimental Electronic, Dub
Studio Masters, Official Digital Download | Front Cover | © Hyperdub
‘Blue Versions’ contains 11 instrumentals/dubs extracted from last year’s The Bug ft Dis Fig ‘In Blue’ album on Hyperdub. Sillicon yard, destroyed dancehall rhythms. Filtered / fuzzed / f-cked science friction versions. Heavy on emotion and even heavier on sheer sub weight. This is haunted ragga made for paranoid androids. A tunnel sound for dread heads.
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The Brothers Johnson – Look Out For #1 (1976/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 35:09 minutes | 733 MB | Genre: R&B, Soul
Studio Masters, Official Digital Download | Front Cover | © A&M
The Brothers Johnson first earned national recognition as recording artists by singing the sensuously funky mid-tempo number “Is It Love That We’re Missin’,” featured on Quincy Jones’ album Mellow Madness. The dynamic duo maintains that same groove on this, its debut release for A&M Records. The first single was the moderate number “I’ll Be Good to You,” which is soothing like a ballad but inducing like a liquid funk cut. The guitar tandem landed on top of the R&B charts with this gold-selling single. They returned to the Top Five with the bona fide funk jam “Get the Funk out of My Face,” which peaked at number four. Their remake of the Beatles’ classic “Come Together” comes with a soulful twist. Aside from this remake, the Brothers co-wrote every other song on this album, including the untarnished instrumental “Tomorrow,” which later became a number one single for Quincy Jones’ Back on the Block. This album is consistent throughout. – Craig Lytle
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