Tim McGraw & Faith Hill – The Rest of Our Life (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:19 minutes | 523 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Arista Nashville
Tim McGraw & Faith Hill, Grammy-winning superstars, release their first album together, ‘The Rest of Our Life!’
The 11-song collection will be released by Sony Music Entertainment under the Arista Nashville/McGraw Music imprint on the heels of the title-track second single, penned by Ed Sheeran, Amy Wadge, Johnny McDaid, and Steve Mac.
Teaming with two of Nashville’s most accomplished producers, Hill and McGraw produced nine of the new album’s 11 songs with Byron Gallimore, and two tracks with Dann Huff.
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Faith Hill – Deep Tracks (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 56:59 minutes | 1,21 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Warner Records
Deep Tracks is the fourth compilation album released by American country music artist Faith Hill. The album features a selection of album tracks from Hill’s career that were never released as singles, as well as three unreleased tracks.
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Faith Hill – Cry (2002/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:36 minutes | 1,18 GB | Genre: Country, Pop
Studio Masters, Official Digital Download | Front Cover | © Warner Records – Nashville
Lavishly produced and packaged, Cry marks the continued ascent of Faith Hill from the lowlands of down-home authenticity to the heights of pop superstardom. Though plenty of Nashville A-team players back her up, the sound they churn out has almost nothing to do with country music. Riding a tide of massed synthesizer textures, sweeping orchestral strings, thundering drums, rock guitar licks, and melodramatic dynamics, Hill strives for the biggest possible gestures in her performance. The result is the kind of glitzy fireworks normally associated with Star Search or American Idol, in which the lyric takes a distant backseat to raw exhibitionism and only the most cursory nod is made toward country lyrical convention. (The nod is particularly schizoid in “This Is Me,” as Hill proclaims, “I try to love Jesus and myself…yeah, yeah.”) Beyond the general issue of taste, this approach raises twofold problems for Hill in particular, in that her established skills as a song interpreter are lost in all this sturm und drang and her voice, while undeniably powerful at its peak, doesn’t have the range that allows most singers in this style, from proto-diva Barbra Streisand to flameout icon Mariah Carey, to at least milk the material at some superficial level. With all this in mind, it may be significant that Tim McGraw, a guest on previous Hill albums, makes no appearance here. Perhaps there’s no room for country credibility, or even for a spouse, when one’s career trajectory is as hot as Hill’s.
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Faith Hill – Cry
Artist: Faith Hill | Album: Cry | Style: Country, Blue grass | Year: 2002 | Quality: DVD-Audio (MPL 5.1 96kHz/24Bit, MPL 2.0 96kHz/24Bit, Dolby AC3 5.1, Dolby AC3 2.0, DTS 5.1) | Bitrate: lossless | Tracks: 14 | Size: 6.96 Gb | Recovery: 5% | Covers: in archive | Release: Warner Bros (9362-48001-9), 2002 | Note: Watermarked
Lavishly produced and packaged, Cry marks the continued ascent of Faith Hill from the lowlands of down-home authenticity to the heights of pop superstardom. Though plenty of Nashville A-team players back her up, the sound they churn out has almost nothing to do with country music. Riding a tide of massed synthesizer textures, sweeping orchestral strings, thundering drums, rock guitar licks, and melodramatic dynamics, Hill strives for the biggest possible gestures in her performance. The result is the kind of glitzy fireworks normally associated with Star Search or American Idol, in which the lyric takes a distant backseat to raw exhibitionism and only the most cursory nod is made toward country lyrical convention. (The nod is particularly schizoid in “This Is Me,” as Hill proclaims, “I try to love Jesus and myself…yeah, yeah.”) Beyond the general issue of taste, this approach raises twofold problems for Hill in particular, in that her established skills as a song interpreter are lost in all this sturm und drang and her voice, while undeniably powerful at its peak, doesn’t have the range that allows most singers in this style, from proto-diva Barbra Streisand to flameout icon Mariah Carey, to at least milk the material at some superficial level. With all this in mind, it may be significant that Tim McGraw, a guest on previous Hill albums, makes no appearance here. Perhaps there’s no room for country credibility, or even for a spouse, when one’s career trajectory is as hot as Hill’s. (more…)
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