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Glen Campbell – Glen Campbell Duets: Ghost On The Canvas Sessions (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 40:07 minutes | 837 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records
Glen Campbell Duets: Ghost On The Canvas Sessions reimagines Glen’s critically acclaimed 2011 farewell album with some of the biggest icons in music. The project is the first of its kind, an album recreated completely as duets posthumously, blending Glen’s original vocals with the talents of artists like Elton John, Sting, Eric Church, Carole King, Eric Clapton, Dolly Parton, Brian Wilson and more to create an artful body of work that celebrates the Rhinestone Cowboy’s final ride.
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Glen Campbell – Wichita Lineman (1968/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 30:49 minutes | 1,26 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Capitol Nashville
This album stayed #1 on the 1968 charts for five weeks! Includes the hit title cut plus Dreams of the Everyday Housewife.
The most eclectic of Glen Campbell’s late-1960s albums, and his first number one LP, 1968’s WWichita Lineman runs from the orchestral melodrama of the title track–the signature song of Glen Campbell’s entire career, apart from perhaps “Rhinestone Cowboy”–and the follow-up hit “Dreams of the Everyday Housewife” to a wide variety of covers in some unexpected styles. These include excellent takes of Tim Hardin’s “Reason to Believe” (possibly the best of the many covers of Hardin’s definitive original), a Dean Martin-like middle-of-the-road version of Sonny Curtis’s “The Straight Life,” and Sonny Bono’s divorce saga “You Better Sit Down Kids.” More unexpectedly, Campbell also essays solid versions of Otis Redding’s “Sittin’ on the Dock of the Bay” and the Bee Gees’ “Words,” adding his own country-pop sound to the familiar originals with no damage. The album’s most unusual track, however, is the spoken-word “Fate of Man,” adapted from a poem by Campbell’s late grandfather.
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Glen Campbell – Sings For The King (2018)
FLAC (tracks) 24 bit/192 kHz | Time – 41:38 minutes | 957 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Glen Campbell – Demo PS
Country boy Glen Campbell is often described as a singer who is “famous for his taste for variety”. That’s not to say that his country pop from the late ‘70s is meaningless and simple. Quite the contrary! Tracks such as Southern Nights, Rhinestone Cowboy and Wichita Lineman have become classics because they contained all the ingredients needed to make a hit at that time. But Campbell’s career is much richer and more complex. It’s full of details that make him a legend of American music. An experienced guitarist, singer, composer, songwriter and even TV host, he balanced his career between the spotlight and the less exposed life in the studio. It must be said that there were plenty of studio teams that revolutionized music in the ‘60s and ‘70s, and Campbell was an integral part of one of the greatest, if not THE greatest: The Wrecking Crew (a.k.a. The Clique or The Phil Spector Wall of Sound).
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Glen Campbell – Rhinestone Cowboy (1975/2019)
FLAC (tracks) 24 bit/192 kHz | Time – 33:18 minutes | 1,30 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Capitol Records
Glen Campbell, who spent his life building a sturdy bridge between country and pop, was above all a voice. A voice as iconic as those of Frank Sinatra, Elvis or Ella Fitzgerald. In 1975 when Rhinestone Cowboy was released, the well-coiffed Arkansas-born singer who also hosted a weekly talk show on CBS was showered with golden records and Grammy Awards. This 13th album, which begins with the single of the same name, was one of his most popular records. Rhinestones Cowboy launched Campbell right back up to the top of the charts, after he deserted them for a while at the beginning of the ‘70s. Thanks to the Dennis Lambert-Brian Potter producing duo, who wrote the first four songs on the album, Glen Campbell tapped into all his know-how and embodied a country boy who had come to town to do the impossible, perfectly crooning down the mic without ever turning his songs into schmaltzy tear-jerkers. Here, he covers hits by the likes of Smokey Robinson (My Girl), Randy Newman (Marie) and Barry Mann (We’re Over) while never copying their styles. It was in this slightly kitschy territory, situated somewhere between country, pop, folk and soft rock, that Campbell ruled supreme. – Marc Zisman
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Glen Campbell – Live From The Troubadour (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 57:13 minutes | 1,20 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records
Glen Campbell’s Live From The Troubadour album has been announced for July 23 release, commemorating his appearance at the famed venue on West Hollywood’s Sunset Strip on August 19, 2008.
The show was the last filmed performance of Glen’s career, in front of a sellout crowd, and became the PBS Front & Center special. It’s introduced today (25) by two audio recording and live videos. The first is the beloved star’s performance from that show of Jimmy Webb’s “By The Time I Get To Phoenix,” the original of which is one of three Campbell recordings that were inducted into the Grammy Hall of Fame. The second is his interpretation of Green Day’s “Good Riddance (Time of Your Life).”
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Glen Campbell – By The Time I Get To Phoenix (1967/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 26:49 minutes | 1,08 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Capitol Records Nashville
Glen Campbell’s commercial breakthrough came by way of the title track, which was the direct precursor in production terms to “Wichita Lineman,” and by the same writer. The cover of Paul Simon’s “Homeward Bound” is sincere if a little perfunctory, but Campbell’s rendition of Ernest Tubb’s “Tomorrow Never Comes” is a bravura performance, rich and soulful, as well as recalling Rodgers & Hammerstein’s “You’ll Never Walk Alone” as done by Gerry & the Pacemakers. “Cold December in Your Heart” harks back to Campbell’s country-folk material, a piece of midtempo country-pop. Material like that and the similar “Back in the Race,” Dorsey Burnette’s “Hey Little One,” Jerry Reed’s “You’re Young and You’ll Forget,” and Bill Anderson’s “Bad Seed” hold up better than more pop-focused numbers like “My Baby’s Gone,” though the string backings on most of these very much date them. The final number here, the touching “Love Is a Lonesome River,” makes a brilliant coda. By the Time I Get to Phoenix was reissued in August of 2001 in a newly remastered, upgraded edition, with somewhat crisper sound, as part of Capitol-Nashville’s Cornerstones series. –Bruce Eder
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