Julia Fischer – Mendelssohn: Piano Trios Nos. 1 & 2 (2006)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 58:37 min | Scans + PDF Booklet | 3,11 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Scans + PDF Booklet | 1,45 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Scans + PDF Booklet | 1,19 GB
DSD Recording | Features Stereo and Multichannel Surround Sound | Label: PentaTone # PTC 5186 085
Pentatone has another winner of Mendelssohn’s two piano trios. Their star violinist Julia Fischer is joined by two other major young artists, pianist Jonathan Gilad, and cellist Daniel Müller-Schott in vivid performances of these delightful Mendelssohn works. Wolf Werth and Job Maarse produced this recording which was made in a radio studio in Cologne in February 2006.
Read more![Julia Fischer - Khachaturian : Concerto in D minor - Prokofiev : Concerto No. 1 Op.19 - Glazounov : Concerto, Op. 82 (2004) [Official Digital Download 24bit/192kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/05/0827949005961_600.jpg?resize=500%2C500&ssl=1)
Julia Fischer – Khachaturian : Concerto in D minor – Prokofiev : Concerto No. 1 Op.19 – Glazounov : Concerto, Op. 82 (2004)
FLAC (tracks) 24 bit/192 kHz | Time – 01:19:22 minutes | 3,79 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
A very generously filled CD with three appealing Russian violin concertos played by this month’s ’One to watch’, Julia Fischer. [The RNO] under Yakov Kreizberg accompany superbly and if, as the booklet implies, this CD was made in two days then the concentration level must have been immense! James Jolly
The Gramohone
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![Julia Fischer - BRAHMS: Violin Concerto / Double Concerto (2007) [Official Digital Download 24bit/192kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/05/0827949006661_600.jpg?resize=500%2C500&ssl=1)
Julia Fischer – BRAHMS: Violin Concerto / Double Concerto (2007)
FLAC (tracks) 24 bit/192 kHz | Time – 01:12:55 minutes | 3,53 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
Is violinist Julia Fischer in the same league as David Oistrakh in her recording of Brahms’ Violin Concerto? Are Fischer and cellist Daniel Müller-Schott in the same league as Oistrakh and Mstislav Rostropovich in their recording of Brahms’ Double Concerto? No: Oistrakh and Rostropovich are playing big, muscular, and heroic music while Fischer and Müller-Schott are playing intimate, sensuous, and lyrical music. Fischer’s tone is lovely, her technique is impeccable, but best of all his interpretation of the Violin Concerto is sweet, smiling, and joy-filled. Müller-Schott’s tone is warm, his technique is impressive, but best of all his interpretation of the Double Concerto with Fischer sounds like a love duet from an Othello written by a German. Together with the lush and enveloping accompaniment of the Netherlands Philharmonic Orchestra Amsterdam led by Yakov Kreizberg, Fischer and Müller-Schott turn in performances that aren’t in the same league as Oistrakh and Rostropovich – they’re in a wonderfully seductive league of their own. PentaTone’s super audio digital sound is rich, full, deep, and just about real.
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Julia Fischer, Russian National Orchestra, Jakov Kreizberg – Tchaikovsky: Violin Concerto in D, Op.35; Sérénade mélancolique Op.26; Valse-Scherzo Op.34; Souvenir d’un lieu cher (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:23 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
For a work so popular, and so highly favored by record companies, Tchaikovsky’s Violin Concerto hasn’t been getting too much attention lately. In any case, great performances are few and far between, but this performer certainly belongs on anyone’s short list of truly outstanding versions. It has everything: transcendent virtuosity, tons of excitement in the finale, and perhaps most importantly of all, a soloist with both taste and a personal sound that allows her to make the music her own. Today’s violin soloists are so well trained that we tend to forget the difference between great technique and great timbre. Julia Fischer has both. Right from the opening of the first movement her sound positively glows.
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Julia Fischer & Martin Helmchen – Franz Schubert Complete Works for Violin & Piano (2014)
DSF Stereo DSD64/2.82MHz | Time – 02:11:36 minutes | 5,2 GB | Genre: Classical
Source: ISO SACD | © Pentatone Music B.V.
Pentatone is combing two of its best-selling recordings, Franz Schubert: Complete Works for Violin and Piano Volume one and two to a double Super Audio-CD set. The recordings by these two brilliant German artists, Julia Fischer and Martin Helmchen — which were originally launched in in 2009 (Vol 1) and 2010 (Vol 2) — were remarkably successful from both a critical and a commercial standpoint. As it is the violin and piano works that constitute the essential enchantment, one can hardly imagine that somebody would be interested in one without wanting the other as well.
These performances, which were charmingly recorded in a warm acoustic space form, perfectly balanced conversations between two vibrant young personalities. As Pentatone once again collaborated with its trusted partner Polyhymnia International recording studio, with its outstanding reputation for the quality of its multi-channel surround sound recordings, it goes without saying that this album will be a delight to music aficionados’ ears.
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Julia Fischer, Netherlands Chamber Orchestra & Yakov Kreizberg – Mozart: The Violin Concertos (2019/2023)
FLAC (tracks) 24 bit/96 kHz | Time – 03:14:03 minutes | 3,35 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
“All of these Mozart recordings featuring the remarkable young violinist Julia Fischer have been favorably reviewed on this site and elsewhere. Now Pentatone is issuing them in this boxed set that also includes a DVD of excerpts from recording sessions for Violin Concerto No. 2 and the Sinfonia Concertante. a delight to watch and it also gives us the opportunity to observe Yakov Kreizberg, who died of cancer recently at the age of 51, the estranged brother of Smyon Bychkov. Kreizberg made a number of recordings for Pentatone, and he will be missed. The set’s booklet is a part of the packaging making it rather difficult to use. It is a pleasure to watch the graceful young violinist at work you also can see her in a remarkable concert on DVD in which she gives sterling performances of Saint-Saëns’ Violin Concerto and the Grieg Piano Concerto, a remarkable display of double virtuosity (REVIEW). If you don’t already have Fischer’s Mozart recordings, here’s your opportunity to acquire them at about half of the price of original issues.” (classicalcdreview.com)
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Julia Fischer, Martin Helmchen – Schubert: Complete Works for Violin and Piano, Volume 2 (2010)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:02 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
This album together with volume 2 completes the collaboration between Julia Fischer and Pentatone. Since all works which Schubert wrote for Violin and Piano, Volume 2 will show Julia Fischer as pianist as well (in the 4-hands piece: Fantasie in F minor D 940/op. 103).
Schubert’s complete works for violin and piano consist of three “sonatinas” Op. 137 Nos. 1-3 (D. 384, 385 and 408), Rondo Brillant D. 895, the Duo D. 574, and the amazing late Fantasia in D major D. 934. Because these do not quite fill two CDs, Volume 2 includes the Fantasia in F minor for piano duet, with Julia Fischer taking the second piano part. She’s obviously a tremendously gifted artist as the performance is an excellent one in every respect, and you’d never guess that one of the players is not a professional pianist.
That said, it’s the violin and piano works that constitute the principal attraction, and I include both discs together because I can’t imagine anyone interested in one not wanting the other as well. The three sonatinas are not, in fact, all that small, especially the latter two, which have four substantial movements apiece. Like everything Schubert wrote they are melodically generous and lovely from beginning to end. The D. 574 is more ambitious still, and by the time we get to the Fantasia we are talking about miracles. These performances are stupendous: perfectly balanced dialogs between two vibrant young personalities, ideally recorded in a warm acoustic space. There’s no need to say more: just get these discs. –David Hurwitz, ClassicsToday.com
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Julia Fischer, Martin Helmchen – Schubert: Complete Works for Violin and Piano, Volume 1 (2009)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:29 minutes | 1,07 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
“It is particularly refreshing that Julia Fischer, one of the younger generation of world’s most promising string players, has not only taken these works to heart, providing a scintillating account of the Rondo Brilliant by way of an encore, but also given them the best possible new lease of life by making a persuasive and invigorating case for their continued promotion and enjoyment among violinists and audiences alike. She is aided in no small measure by the young pianist martin helmchen, who is enjoying a flourishing career as a soloist and also, on the evidence of this new PentaTone release, as an accompanist of stature…..If the second volume in this series is as good, it will be worth the wait.” –Richard Evans, International Record Review
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Julia Fischer & Kirill Troussov – Shostakovich & Prokofiev: Violin Duos (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 24:02 minutes | 240 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Orchid Classics
This outstanding new release brings together two of the world’s most sought-after violinists in a pair of rarely-heard 20th-century Russian chamber pieces: Shostakovich’s Five pieces for two violins and piano, and Prokofiev’s Sonata for two violins. Both pieces explore the possibilities of two violins duetting and in dialogue, providing the perfect repertoire to showcase the natural rapport between these two exceptional violinists.
Hailed as ‘one of the most gifted violinists of his generation’ by Süddeutsche Zeitung, Kirill Troussov was supported and guided by Sir Yehudi Menuhin at a young age, while Julia Fischer won first prize at the Menuhin Competition of 1995 and is today celebrated as one of the finest and most versatile violinists in the world.
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Julia Fischer, Jonathan Gilad, Daniel Müller-Schott – Mendelssohn: Piano Trios Nos. 1 & 2 (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 59:04 minutes | 989 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
“Since the foundation of PentaTone Classics in 2001, their enterprising programming; appealing contemporary presentations; consistently high quality performances and state of the art recordings have been nothing short of astonishing. I look forward enthusiastically to each of their stylish new releases and this hybrid Super Audio CD of Mendelssohn’s two Piano Trios was no exception. After a check of the accompanying marketing information it seems that this disc has already been selected as a Gramophone ‘Editor’s Choice’ and the recipient of a Diapason d’Or award.
PentaTone have provided a smart contemporary presentation, interesting and detailed annotation, excellent sonics together with superb performances. What more could one ask. This is certainly a disc to dash out and purchase.” –Michael Cookson, Music Web
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Nils Mönkemeyer, Julia Fischer, Sabine Meyer, William Youn – Mozart with Friends (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:20 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sony Classical
Inspired by the fact that Mozart had often composed for friends and fellow musicians to play with him in good company, ECHO Award winner Nils Mönkemeyer invited his own dear friends and top classical artists Sabine Meyer, Julia Fischer and William Youn to record some very special duos and trios by the composer.
The “Kegelstatt-Trio” is the perfect example for the motto of the album since Mozart wrote it while playing skittles with his friends. He later performed the trio, playing the viola. Besides that, Nils chose to explore the development of the famous composer, starting with pieces from “The London Sketchbook”, which Mozart wrote when he was 8 or 9 years old, or the Sonata in F major for violine and piano (but recorded in a version for viola and piano), written by an 11-year-old Mozart.
The selected pieces from “The London Sketchbook”, originally written for piano, were arranged and compiled by William Youn who is one of the leading Mozart interpreters of his generation.
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Julia Fischer, Gordan Nikolić, Netherlands Chamber Orchestra, Yakov Kreizberg – Mozart: Works for Violins and Orchestra (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:33 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
German violinist Julia Fischer, 24 years old when this recording was released, is surely a bright new star, all charisma as her diminutive self stands between conductor and collaborator Yakov Kreizberg and violist Gordan Nikolic on the cover of this disc. She has a steely technique that she brings to Mozart’s Sinfonia Concertante in E flat, K. 364 — not a steely work, but the musicianship here is superb. Fischer and Nikolic make an attractive pair in the work, her razor-sharp tone set against his gutsier sound production, all the contrasts held together by Kreizberg’s brisk tempos and no-nonsense forward drive. There are recordings of the Sinfonia Concertante that play more directly to sentiment, but the work’s intricate architecture breathes in this interpretation. An additional bonus is the inclusion of the rarely heard Concertone in C major for two violins and orchestra, K. 190, a work that also has solo oboe and cello parts and seems to hang in the balance between the concerto and sinfonia concerante (multiple-soloist) genres. The performers bring a nice lilting quality to the first two movements, rather sprawling creations of the young Mozart that demand really compelling soloists of the sort on display here. The only complaint is over-resonant sound, the result of PentaTone’s decision to record in a Haarlem church — the wrong place for music intended for a medium-sized, crowded, well-upholstered room. It destroys the intimate scale of the performance and causes the soloists and the harpsichord continuo of the Concertone, especially, to sound a bit like they are swimming in a watery chamber. The clarity of Fischer’s playing, however, is not compromised, and it’s a real wonder. She has also recorded two of Mozart’s solo violin concertos with the same forces, but this disc in a way suggests even greater talents. –James Manheim, AllMusic
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Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg – Mozart: Violin Concertos Nos. 3 & 4 (2005)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:41 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
It takes a lot of guts to write your own cadenzas. After all, most of the concertos in the standard repertoire already have their standard cadenzas, usually supplied by either the composer or some exceedingly well-known soloist, and the chance of any current soloist touching the same celestial heights is doubtful at best. Nevertheless, on this disc of Mozart’s Third and Fourth violin concertos coupled with his Adagio K. 261 and Rondo K. 269 for violin and orchestra, Julia Fischer not only writes most of her own cadenzas, she touches the same celestial heights as the greatest masters of the bow. Fischer has a pure tone, an impeccable intonation, and an immaculate technique, but she also has a warm heart and a radiant soul, and her performances of Mozart’s concertos are as clear and luminous as the music. Beyond that, Fischer has the rare talent of writing cadenzas that partake of the substance of the music but transfuse it with the joy of Fischer’s soul, and the result not only touches the heart, it touches the infinite. Yakov Kreizberg leads the Netherlands Chamber Orchestra in stylishly polished performances and provides the cadenza for the central Adagio of the Third concerto, but this is Fischer’s show and she proves herself a star. PentaTone’s 2005 sound is warm, deep, and full. –James Leonard
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Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg – Mozart: Violin Concertos Nos. 1, 2 & 5 (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:48 minutes | 1,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
Julia Fischer is joined by Yakov Kreizberg and the Netherlands Chamber Orchestra, as the musicians explore three Mozart concertos for violin and orchestra. The program includes Mozart’s joyous first two concertos and his complex fifth. This highly anticipated work follows the pair’s successful recording of Mozart’s Concertos Nos. 3 and 4. Fischer delivers a radiant performance filled with lyricism and refined charm, while Kreizberg commands the well-balanced orchestra with vibrant spontaneity.
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Julia Fischer, Russian National Orchestra, Yakov Kreizberg – Khachaturian, Prokofiev, Glazunov: Russian Violin Concertos (2004)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:22 minutes | 1,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone
“A very generously filled CD with three appealing Russian violin concertos played by this month’s ’One to watch’, Julia Fischer. [The RNO] under Yakov Kreizberg accompany superbly and if, as the booklet implies, this CD was made in two days then the concentration level must have been immense!” –James Jolly, The Gramohone
“Julia Fischer stands out. What’s most impressive on this disc is [Julia Fischer’s] revitalization of the Khatchaturian Violin Concerto… Fischer makes it sound fresh again. In part, the bloom results from her burnished tone (sensuous but firmly focused) and her confident technique (note the rhythmic definition of her opening gestures); simply as virtuoso display, this is a charismatic performance. But there’s a lot more than surface appeal. Because of her unwavering concentration, she manages…to make each detail, each swing in mood, register clearly, and because of her unflagging sense of shape, she makes sure that each element contributes to a lucid unfolding of the overall structure…. a nobility unmatched by any other recording I know…urgently recommended.” –Peter J. Rabonowitz, International Record Review
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