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Karine Deshayes, Les Paladins, Jérôme Corréas – Mozart: Exsultate, jubilate! (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 55:00 minutes | 914 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Aparté
Karine Deshayes, one of today’s most remarkable interpreters of Mozart together with the vocal and instrumental ensemble Les Paladins, gives an outstanding performance in this program of his sacred and secular works, in which the motet Exsultate, jubilate! Forms the centrepiece. Her rich, full-bodied voice taps directly into the roots of this highly virtuosic piece, originally written for a powerful, resonant soprano castrato tessitura. Conducted by Jérôme Corréas, the musicians complete the program with a selection of early pieces by Mozart: several of his (unjustly underrated) Church Sonatas, his Symphony No. 17, a poetic Agnus Dei from the Vespers, and excerpts from the all too rarely heard Davide penintente and La Betulia liberata. Through his attention to contrast and his concern for expressivity, the conductor reveals the underlying theatricality of these works, unparalleled in their dramatic power.
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Sonya Yoncheva, Karine Deshayes, Ensemble Amarillis – Pergolesi Stabat Mater (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 56:09 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sony Classical
A rapidly rising star on today’s opera scene, Sonya Yoncheva appears in this album alongside ‘Lyric Artist of the Year’ winner Karine Deshayes in a masterwork of the sacred music repertoire; Pergolesi’s Stabat Mater.
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Karine Deshayes – Offenbach: Fables de la Fontaine (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:39 minutes | 570 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
A grasshopper, a milkmaid’s pail, a shepherd, a fox, a country mouse, a cobbler… These are just some of the diverse and varied characters from the famous Fables that Jacques Offenbach decided to set to music in 1842, some 150 years after they were written by Jean de La Fontaine. With their vivid texts featuring talking animals and stock characters, the Fables offered an allegorical and didactic way of alluding to the court and the mores of the time. Offenbach chose six of the 240 Fables of La Fontaine to set as mélodies. Here the conductor Jean-Pierre Haeck presents them in his own orchestration performed by the Orchestre de l’Opéra de Rouen and the mezzo-soprano Karine Deshayes, who excels in this repertory. To complete the programme, the singer performs numbers from Offenbach’s opéra-bouffe Boule-de-neige and the orchestra plays movements from the ballet Le Papillon, offering listeners a recording as refined as it is witty.
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Karine Deshayes, Les Forces Majeures, Raphaël Merlin – Rossini (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:00 minutes | 1,12 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download | Front Cover | © Aparté
Karine Deshayes is one of the greatest Rossini singers on the international opera stage. In this first solo album, featuring excerpts from some of his most beautiful works, she traces the different stages in Rossini’s life. She is accompanied by Raphaël Merlin (cellist of the Ébène Quartet) at the head of Les Forces Majeures, a collective bringing together musicians from prestigious chamber ensembles and top-flight orchestras. Discover this truly rare and intimate interpretation of Rossini – musically rich and at times meditative, loving, desperate, calm…
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Karine Deshayes, Johan Farjot, Delphine Haidan – Deux mezzos sinon rien (2020)
FLAC (tracks) 24 bit/88,2 kHz | Time – 51:30 minutes | 895 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Klarthe Records
Karine Deshayes and Delphine Haidan formed the duo “Deux mezzos sans rien” a fortnight ago, during a public concert for a radio show. The success was immediate, two common tessitura, mezzo-soprano and yet two different colors that marry according to the duets.
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Karine Deshayes, Ensemble Contraste – Après un rêve (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:00 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Aparté
This recording from French mezzo-soprano Karine Deshayes and Ensemble Contraste explores familiar tunes of French Romanticism. Featuring works from Berlioz, Fauré, Gounod, Massenet and more, this delicious program paints a picture of music and life in the Parisian salons.
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Karine Deshayes, Opera Fuoco, David Stern – French Romantic Cantatas: Cherubini, Boisselot, Herold, Catel (2014)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:17:13 minutes | 1,25 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Zig-Zag Territoires
Produced by the Bru-Zane Foundation, whose mission is to aid in the rediscovery of unjustly neglected French music, 1780 to 1920. An album of Romantic French cantatas by Cherubini, Heand Boisselot in the company of an exceptional guide, mezzo-soprano Karine Deshayes, Opera Fuoco and its conductor, David Stern. The French Cantata, a Baroque-era presence, was restored to favor in the 19th century as an alternative to the Italian stage, then generally perceived in France as being overly exuberant.
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Karine Deshayes – Alexandre Dumas et la musique (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:23 minutes | 1,28 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
‘There are few people as susceptible to certain musical beauties as I am; the more learned and complicated the instrumentation, the less I sense it, the faster it escapes me; on the contrary, if a simple and melancholic motif appears, I feel flooded with infinite sweetness’, Alexandre Dumas once said. To mark the 150th anniversary of the great writer’s death, this album celebrates Dumas and music: ‘Despite the incompatibility of poetry and music, the origin of which lay, he felt, in the excessive proximity between the two,’ writes Claude Schopp, the eminent Dumas specialist, in the booklet that accompanies this recording, ‘Alexandre Dumas agreed to collaborate with composers, writing opera libretti for Hippolyte Monpou and Ambroise Thomas. . . . The list of those who borrowed verses from Dumas’s pen is a mixture of obscure and illustrious names’: Hector Berlioz, Joseph Doche, Gilbert Duprez, César Franck, Franz Liszt, Henri Reber, Francis Thomé, Alphonse Varney among them. This programme presents an anthology of those settings, coupled with mélodies by Jules Massenet, Henri Duparc and Benjamin Godard.
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