Lorenzo Ghielmi & La Divina Armonia – Frescobaldi: Motets and Organ Works (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:25 minutes | 1,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Passacaille
The Monteverdi contemporary Girolamo Frescobaldi (1583-1643) is now unfortunately almost exclusively seen as an important and influential composer of works for keyboard instruments, but he also composed both sacred and secular vocal music throughout his entire creative period. The Italian Lorenzo Ghielmi and his ensemble La Divina Armonia show in their recording with PASSACAILLE that sacred vocal music is no less important and in connection with his organ works even results in a particularly charming program. La Divina Armonia was founded by Lorenzo Ghielmi in 2005. All the musicians involved in the Italian group have distinguished themselves for many years in the performance of Baroque music as soloists and musicians in several of the most renowned ensembles in this field. In La Divina Armonia theyre coming together to play music from the Baroque up to the early Classical period, playing extraordinarily vividly, but in a beautifully cantabile manner at the same time.
Read more![La Divina Armonia, Lorenzo Ghielmi, Jan De Winne, Mayumi Hirasaki - Bach: Concertos (BWV 1042,1044, 1052) and Cantata 'Non sa che sia Dolore' (BWV 209) (2016) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/21/5425004150196_600.jpg?resize=500%2C500&ssl=1)
La Divina Armonia, Lorenzo Ghielmi, Jan De Winne, Mayumi Hirasaki – Bach: Concertos (BWV 1042,1044, 1052) and Cantata ‘Non sa che sia Dolore’ (BWV 209) (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:07 minutes | 1,44 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Passacaille
With its recording of Handel organ concertos Op.4 (PAS944), the ensemble La Divina Armonia under Lorenzo Ghielmi impressively demonstrated that they can add new tunes to well-known standard repertoire, which requires interpretative taste, superior technology and exceptional natural musicality. The musicians prove that they have all of this in abundance with their recording of three Bach concertos which experienced a makeover by the performers, without distorting the works.
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