Stéphane Kerecki, John Taylor – Patience (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 50:44 minutes | 783 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Zig-Zag Territoires
For jazz musicians, the duo of piano and double bass is a perilous exercise in tightrope-walking, reserved for enthusiasts of extreme refinement, those who like to dance on the edge of abysses. Its alchemy is mysterious. By releasing the account of his brief encounter with John Taylor, Stéphane Kerecki does more than merely delight music-lovers; he proves once again that jazz cannot exist without sometimes flirting with the void.
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Thomas Enhco, Stéphane Kerecki – A Modern Songbook (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:16:14 minutes | 714 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Masterworks
On March 31, the live album A Modern Songbook by Thomas Enhco and Stéphane Kerecki will be released on Sony Music – a summit meeting of two virtuosos.
When the brilliant pianist Thomas Enhco and the indispensable double bassist Stéphane Kerecki interpret timeless classics such as Natural Woman by Aretha Franklin or Fields of Gold by Sting together, a smooth jazz gem with unforgettable chill ballad is created. Thomas Enhco is a pianist and composer and experimented with music in its full range from an early age: classical and popular music, written and improvised. His stepfather, the violinist Didier Lockwood, introduced him to the world of great jazz musicians. He was already immersed in the intensity of the clubs as a child and felt equally comfortable as a jazz pianist, classical soloist or composer.
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Daniel Humair, Stéphane Kerecki, Vincent Lê Quang – Modern Art (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 43:24 minutes | 844 MB | Genre: Jazz, Avant-Garde Jazz
Studio Masters, Official Digital Download | Front Cover | © INCISES
This Modern Art recording project is an invitation to discover new ideas, and these pieces of music by Vincent Lê Quang, Stéphane Kerecki and myself are not really tributes; I prefer to think of them in terms of correspondences, parallel ideas, encounters, affinities, out-of-the-ordinary phenomena. We’ve chosen several 20th century painters to give us one of two possibilities : either we already had such and such a composition in our pack that matched up with the pictorial world of a certain artist, or we’ve written an original composition inspired by an artist’s work.
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