The Doobie Brothers – Takin’ It To The Streets (1976/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 38:49 minutes | 1,47 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records
Takin’ It To The Streets is the sixth studio album released by the American rock band. It was the first recording to feature Michael McDonald on lead vocals. The album features singles “Takin’ It to the Streets,” “Wheels of Fortune” and “It Keeps You Runnin’.”
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The Doobie Brothers - Quadio (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 02:44:41 minutes | 3,28 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino/Warner Bros.
The Doobie Brothers announced a new box set, Quadio, set for an early September release via Rhino. The collection contains quadrophonic and high-resolution remixes of four of the band’s essential early albums: Toulouse Street (1972), The Captain & Me (1973), What Were Once Vices Are Now Habits (1974) and Stampede (1975).
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The Doobie Brothers – Minute By Minute (1978/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 36:47 minutes | 1,35 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records
The Doobie Brothers’ eighth studio album, originally released in 1978. Contains the Grammy-winning track “What A Fool Believes”.
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The Doobie Brothers – Livin’ On The Fault Line (2016 Remastered) (1977/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 35:14 minutes | 1,33 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records
Livin’ on the Fault Line is the seventh studio album by the Doobie Brothers. The record features a remake of Marvin Gaye’s 1966 hit “Little Darling (I Need You).”
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The Doobie Brothers – Live From The Beacon Theatre (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:55:45 minutes | 1,37 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Rhino
The Doobie Brothers returns to the Beacon Theatre for the first time in 25 years to perform two of their landmark albums, Toulouse Street and The Captain And Me. In November 2018, The Doobie Brothers returned to the Beacon Theatre for the first time in 25 years to perform two of their landmark albums, Toulouse Street and The Captain And Me.
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The Doobie Brothers – Liberté (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 42:51 minutes | 941 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Island Records (The Island Def Jam Music Group / Universal Music)
The Doobie Brothers have unveiled their 15th studio album, Liberté, out Friday, October 1st. The band produced and co-wrote all 12 tracks of the album with John Shanks (Bon Jovi, Sheryl Crow, Miley Cyrus). Rather than release the songs sequentially as singles, the Doobie Brothers have released a special extended play, The Doobie Brothers EP, featuring four tracks from Liberté: “Oh Mexico,” “Cannonball,” “Don’t Ya Mess With Me,” and “Better Days”.
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The Doobie Brothers – The Captain and Me
Artist: The Doobie Brothers | Album: The Captain and Me | Style: Classic Rock | Year: 2001 [March 2, 1973 original] | Quality: Surround DVD-Audio (MLP 5.1 96kHz/24Bit, DTS 5.1, Dolby AC3 5.1) Stereo DVD-Audio (MLP 2.0 192kHz/24Bit, PCM 2.0) | Bitrate: lossless | Tracks: 11 | Size: ~5.85 Gb | Recovery: 5% | Covers: in archive | Release: Rhino / Warner, 2001 (8122-78347-9), 2001 | Note: Watermarked
The Doobie Brothers’ third long-player was the charm, their most substantial and consistent album to date, and one that rode the charts for a year. It was also a study in contrasts, Tom Johnston’s harder-edged, bolder rocking numbers balanced by Patrick Simmons’ more laid-back country-rock ballad style. The leadoff track, Johnston’s “Natural Thing,” melded the two, opening with interlocking guitars and showcasing the band’s exquisite soaring harmonies around a beautiful melody, all wrapped up in a midtempo beat — the result was somewhere midway between Allman Brothers-style virtuosity and Eagles/Crosby & Nash-type lyricism, which defined this period in the Doobies’ history and gave them a well-deserved lock on the top of the charts. Next up was the punchy, catchy “Long Train Runnin’,” a piece they’d been playing for years as an instrumental — a reluctant Johnston was persuaded by producer Ted Templeman to write lyrics to it and record the song, and the resulting track became the group’s next hit. The slashing, fast-tempo “China Grove” and “Without You” represented the harder side of the Doobies’ sound, and were juxtaposed with Simmons’ romantic country-rock ballads “Clear as the Driven Snow,” and “South City Midnight Lady.” Simmons also showed off his louder side with “Evil Woman,” while Johnston showed his more reflective side with “Dark Eyed Cajun Woman,” “Ukiah” and “The Captain and Me” — the latter, a soaring rocker clocking in at nearly five minutes, features radiant guitars and harmonies, soaring ever higher and faster to a triumphant finish. (more…)
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