Tim McGraw – Two Lanes Of Freedom (2013/2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:43 minutes | 1,36 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine
After years of the strain of legal battles to get out of his contract with Curb Records, Tim McGraw emerges, relaxed and refreshed with Two Lanes of Freedom, his debut recording for Big Machine, co-produced with longtime collaborator Byron Gallimore. McGraw may be celebrating his independence, but he still understands what he needs to get played on country radio as evidenced by the collision of neo-traditionalist melody and hard rock guitars on the pre-release single “Truck Yeah (there are two versions on this set; one is live). His finger popping meld of pop, Southern soul, and contemporary pop on “Southern Girl” uses Auto-Tune in the chorus, and it actually works (why this wasn’t chosen as a single is a head scratcher). “Highway Don’t Care” — a duet with Taylor Swift (a thank you for namechecking him in her first big hit) with a killer guitar solo from Keith Urban — borrows some production cues from Swift’s playbook to excellent effect. The hook is irresistible and McGraw’s vocal, paired with the young singer’s, is a perfect match. This track is actually a real clue as to what McGraw’s about these days, wanting to be the perfect combination of pop, country, and rock in one persona. “One of These Nights” is classic McGraw, a midtempo paean to his protagonists object of desire. It’s a love song in a sense, but to the nostalgia of the future, not a woman. “Mexicoma” is a pre-hangover heartbreak tune combining a country two-step with a norteño polka; Mike Rojas’ accordion is a nice touch, especially where it meets the distorted slide guitars, upright piano, and horns. “Friend of a Friend” is a “talking to you while you’re not here” love song. McGraw’s protagonist tenderly offers the lyrics as an incantation, straight into the ear of the absent, longed-for other. The title track is saturated with contemporary country tropes, with enough rock & roll riffing to make it a perfect second single. “It’s Your World” is a rock & roll screamer, a guaranteed barroom dancefloor anthem. Despite its wide range of material and experimentation, this is the pop record McGraw has always wanted to make. He packs in a little of everything here, and some of it stumbles: “Annie I Owe You a Dance” has too many strings, and the poignant, “37405,” a narrative about a country singer turned convict, could have been leaner. But these are small complaints on a solid and ambitious recording. On Two Lanes of Freedom, McGraw proves he is indeed the artist that Curb never let him be. – Thom Jurek
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Tim McGraw – Sundown Heaven Town (2014/2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:09 minutes | 1,59 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine
There’s no question Tim McGraw seized upon the opportunity to indulge his every whim when he finally extricated himself from Curb and signed with Big Machine in 2013, the year where Two Lanes of Freedom revived his career. His renaissance continues with 2014’s Sundown Heaven Town, his second album for Big Machine and a record that often plays like a direct sequel to its predecessor in that it’s designed to show off everything McGraw and his longtime collaborator/producer Byron Gallimore can do. Being that this follows a record where the big hit was a ballad — the haunting “Highway Don’t Care,” a duet with Taylor Swift — it’s not entirely a surprise that Sundown Heaven Town is distinguished by its smooth touch but within that gloss. Sure, McGraw never goes for a brawny rocker — when Kid Rock stops by for a duet on the deluxe, it’s for an easy-rolling, sunny ballad called “Lincoln Continentals and Cadillacs” — and the quickest pace is reserved for glistening midtempo pop like “City Lights,” but this record never seems to drag, not even in its longer 18-track incarnation, because McGraw and Gallimore are masters at pacing, something that is evident on individual songs as it is on the album as a whole. McGraw knows when to shift away from the spacious arena-country of “Shotgun Rider” to the light electronic accents of “Dust,” then to glide into the modernized southern soul of “Diamond Rings and Old Barstools” or when to get delicate, as he does on the sentimental (but not sappy) “Meanwhile Back at Mama’s.” This versatility isn’t showy, which is a large part of McGraw’s charm: he has an easy touch that not only warms the sheen of his gloss, it hides the meticulousness of his craft. He’s wound up making records that are the new millennial equivalent of classic soft rock, records informed by the trends of the day but which place emphasis on melody and craft, which is why they resonate: they come on smooth and easy but have the foundation to last. – Stephen Thomas Erlewine
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Tim McGraw – Damn Country Music (2015/2024)
FLAC (tracks) 24 bit/96 kHz | Time – 53:15 minutes | 1,19 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine
There’s an edge, a defiance to the title of Damn Country Music that may not surface in the music, yet it still taps into the essence of Tim McGraw’s appeal: he doesn’t bother with crossover, he stays true to country and doesn’t care who knows it. Thing is, McGraw’s definition of country music is quite flexible, something Damn Country Music makes plain. Other singers who pledge allegiance to country music are often rooted in some kind of hardcore twang — a bit of old Texas honky tonk or perhaps Southern-fried country-rock — but at his core, McGraw is a soft touch, easily adapting to the shifts in time without ever seeming like he’s following fashion. So it is with Damn Country Music, where he spends as much time singing over gently rolling electronic loops as he does over cavernous echoing guitars suggesting so much as prime U2. Such flexibility also encompasses plenty of chipper midtempo anthems and soft-focused ballads, songs connected by their quietly insistent melodies and McGraw’s equally easy touch; he never pushes too hard, a skill that’s especially needed when he’s piling up the platitudes on “Humble and Kind,” but is always welcome no matter the tune. What’s remarkable about this exceedingly laid-back album is that while it clearly exists within the confines of mature, modern country-pop, never pandering to either the bro upstarts or a crossover audience, it still feels country, because it feels true to McGraw’s roots. Even during his ’90s heyday, he looked over his shoulder while living in the present, happily threading in trends while seeming impervious to them. This skill is difficult to acquire but Damn Country Music, like so many other Tim McGraw albums, makes it seem as simple as breathing – Stephen Thomas Erlewine
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Tim McGraw & Faith Hill – The Rest of Our Life (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:19 minutes | 523 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Arista Nashville
Tim McGraw & Faith Hill, Grammy-winning superstars, release their first album together, ‘The Rest of Our Life!’
The 11-song collection will be released by Sony Music Entertainment under the Arista Nashville/McGraw Music imprint on the heels of the title-track second single, penned by Ed Sheeran, Amy Wadge, Johnny McDaid, and Steve Mac.
Teaming with two of Nashville’s most accomplished producers, Hill and McGraw produced nine of the new album’s 11 songs with Byron Gallimore, and two tracks with Dann Huff.
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Tim McGraw – McGraw Machine Hits: 2013-2019 (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 54:18 minutes | 655 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records, LLC
Tim McGraw has sold more than 50 million records worldwide and dominated the charts with 43 worldwide No. 1 singles. He’s won 3 Grammy Awards, 16 ACM Awards, and 14 CMA Awards. His iconic career achievements include being BDS Radio’s most played artist for ALL music genres the last two decades combined as well as having the Most Played Song of the Decade for ALL music genres. McGraw Machine Hits: 2013-2019 is the compilation album of his biggest and greatest hits from recent years.
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Tim McGraw – Here On Earth (Ultimate Edition) (2020/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:31:51 minutes | 2,07 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records, LLC
NASHVILLE, TN – Three-time Grammy® winner and superstar Tim McGraw announced today two forthcoming digital deluxe versions of his #1 album HERE ON EARTH – HERE ON EARTH Ultimate Edition & HERE ON EARTH Ultimate Video Edition, which will be available April 16 via Big Machine Records. Both albums are available for pre-order now. McGraw also unveiled a brand-new song “God Moves The Pen” which is available everywhere today. Watch the lyric video here.
The Ultimate Edition features six new tracks, including “God Moves The Pen,” “Undivided” – McGraw’s latest collaboration with Florida Georgia Line’s Tyler Hubbard – and two additional bonus movie tracks, “Keep Your Eyes on Me” with Faith Hill from the 2017 feature film The Shack and “Gravity” from the 2018 Academy Award ® winning documentary Free Solo. McGraw wrote the former alongside Hill, Lori McKenna and Shane McAnally and the latter with McKenna.
The Ultimate Video Edition will include all tracks on the Ultimate Edition with the addition of videos for six songs: “Here on Earth,” “I Called Mama,” “Gravy,” “Undivided,” “Thought About You,” and “Neon Church.” Full track lists for both albums are below.
McGraw’s original HERE ON EARTH album – his 16th studio album – debuted at #1 on the Billboard Country album chart upon its August 2020 release, marking his 4th straight decade with a #1 album on the Billboard Country Album chart. The album was his 19th worldwide #1 and his 17th U.S. #1, tying him for second most #1 albums in the U.S., just behind George Strait.
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Tim McGraw – Here On Earth (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:41 minutes | 1,50 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records, LLC
Tim McGraw will release his new album, Here On Earth, on August 21st. This will be his 16th studio album, and it will include his current hit single, “I Called Mama,” along with 15 other songs.
Tim McGraw has sold more than 50 million records worldwide and dominated the charts with 43 worldwide #1 singles. He’s won 16 ACM Awards, 14 CMA Awards and 3 Grammy Awards. His iconic career achievements include being the most played country artist since his debut in 1992. McGraw’s new studio album from Big Machine Records, Here On Earth, will be available August 21st. Includes current single “I Called Mama”.
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Tim McGraw – Standing Room Only (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 49:57 minutes | 1,11 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Big Machine Records, LLC
Tim McGraw releases his highly-anticipated new album “Standing Room Only”.
“Standing Room Only” features 13 brand new tracks and was produced by McGraw and longtime producer Byron Gallimore. Among the writers contributing to the new album are Craig Wiseman, Jaren Johnston, Lori McKenna, Chase McGill and Kameron Marlowe.
“As an artist, I always want to dig deeper and get better every time I make a new record – it’s a big part of what drives me, and I really believe this is one of the best projects we’ve made. I’ve been working on this album since 2020, and this collection of songs are some of the most emotional, thought-provoking, and life-affirming music I’ve ever recorded,” McGraw stated via a press release.
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